Healthy Italian Cooking at Home

Category Archives: Pasta

abruzzo-1

Abruzzi is located in the mountains along the Adriatic region of Italy and the cuisine is known for simple but hearty meals. A typical meal prepared in Abruzzi will feature diavolicchio, a combination of olive oil, tomatoes and chili peppers. Chili peppers are used often to spice up recipes, typical for much of Southern Italy. Rosemary, garlic and wine are also used extensively in Abruzzi cooking. Despite being more expensive per gram than truffles or caviar, saffron is used in many recipes and most of Italy’s saffron is produced in Abruzzi.

abruzzi

Abruzz’si cuisine is famous for artichokes and cardoons, legumes and potatoes and they are often enjoyed in soups. Cacio e Uova is a soup made from vegetables and salt pork and sometimes lamb, in a chicken base that relies on grated pecorino and eggs for a thick, creamy texture. Zuppa di cardi combines cardoons, relatives of the artichoke, with tomatoes and salt pork. The tiny mountain lentils are cooked with fresh chestnuts, pork and tomatoes with herbs to make zuppla di lenticchie. The traditional Christmas lunch begins with chicken broth, cardoons, tiny lamb meatballs and raw egg scrambled into the broth or fried chopped organ meats added to the soup just prior to serving.

Atessa-Abruzzo-Italy

Abruzzi recipes feature fresh seafood from the Adriatic, such as, Brodetto, a peppered seafood soup. Port cities also prepare fresh fish in a salty vinegar based dressing. Octopus is cooked in tomatoes and hot peppers and called “polpi in purgatorio”. Garlic, peppers and rosemary are used to season an anchovy and monkfish dish, called coda di rospo alla cacciatora. Fish and crayfish also come from inland freshwater ways.

The countryside of Abruzzi is dotted with herds of sheep and goats, making the preferred meats, lamb and kid. These meats are simmered slowly in sauces to serve over platters of polenta or pasta and served family style. Large pieces of spit roasted lamb are frequently eaten in Abruzzi, especially on special occasions. Another lamb dish of the region, agnello alle olive, is slowly cooked in a sealed clay casserole dish along with olives, lemons, hot peppers and oregano.

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While beef is not as popular as in other areas of Italy, many households have their own herds of free ranging pigs. This yields meat for curing. Mortadellina, ventricina and salsicce di fegato pazzo are locally made table ready sausages that are enjoyed with bread. Abruzzi recipes such as ‘Ndocca ‘ndocca make use of the ribs and other parts of the pig that might otherwise be wasted, such as skin, ears and feet. This stew is flavored with vinegar, rosemary, bay leaf and peppers. Pork sausage is also enjoyed baked into the savory pizza rustica along with cheese and eggs.

guitar pasta

Abruzzi cuisine begins many meals with a pasta course. Maccheroni alla chitarra, or guitar pasta, is a classic Abruzzi dish. This egg dough is cut into the classic quadrangular shape with an instrument resembling an acoustic guitar. This is traditionally served with a lamb and tomato sauce seasoned with tomatoes, hot peppers, garlic and bay leaves. Lasagne Abruzzese layers sheets of pasta with spicy meat and tomato sauce.

Abruzzi cooking often calls for a crepe called scrippelle. These crepes are filled with flavorful ingredients and then used in other dishes. With scrippelle ‘mbusse, the crepes are served in chicken stock with grated pecorino cheese. In timballo di crespe, the crepes are placed in elegant molds with vegetables, cheese and meat and baked.

Spaghetti with Garlic, Olive Oil and Hot Pepper

spaghetti with oil

Spaghetti aglio, olio e peperoncino is a traditional recipe from the Abruzzi region of Italy.

Ingredients for 4 people

  • 14 oz (400 grams) spaghetti
  • 2 cloves of garlic
  • 2 peperoncino ( hot peppers)
  • 1/4 cup olive oil
  • Salt

Directions

Cook the spaghetti in plenty of boiling salted water.
A few minutes before draining the pasta, heat 1/4 cup of oil, add the garlic and the peperoncino and cook slowly until the garlic turns golden. Add the sauce to the drained spaghetti, toss well and serve immediately.

Chicken and Peppers Abruzzi-Style

Chicken-cacciatore

Ingredients

  • 3 1/2 lb chicken; cut into 8 pieces
  • 1 large onion, thinly sliced
  • 1/2 red bell pepper, thinly sliced
  • 1/2 green bell pepper, thinly sliced
  • 1 tablespoon extra virgin olive oil
  • 1/2 cup dry white wine
  • 1/4 teaspoon fresh hot chili peppers; chopped
  • 4 whole cloves garlic; peeled
  • 2 teaspoons rosemary leaves; chopped
  • Salt
  • 24 cherry tomatoes
  • 12 small black olives

Directions

Heat oven to 400 degrees F.
In a deep ovenproof skillet with a lid that is large enough to contain all the chicken pieces in one layer without crowding, add oil, garlic and rosemary to the pan – turn the heat to high. Add the chicken and arrange the pieces with the skin side facing down in one layer. When well browned, turn the pieces and brown on the other side. Sprinkle the chicken with salt and chili peppers and transfer the chicken to a large plate, skin side up.

Add the onion and the bell peppers to the skillet and cook over moderately low heat, stirring occasionally, until softened, about 10 minutes. Add the olives and cherry tomatoes and, once the tomatoes are hot, pour in the wine and simmer over moderately high heat for 1 minute. Return the chicken to the skillet, skin side up. Cover the pan and braise in the oven for about 20 minutes, until the chicken is cooked through. Transfer dish to a large warm platter and serve at once with crusty Italian bread.

Timballo di Patate

potatoes

Ingredients

  • 5 pounds potatoes 
  • 1 pound shredded mozzarella
  • 2 eggs, beaten
  • 1 cup Pecorino or Parmigiano cheese
  • Chopped parsley 
  • Salt, pepper to taste

Directions

Cook potatoes whole, in water, peel them. Mash potatoes mixing in mozzarella, eggs, grated cheese, parsley, salt, and pepper to taste.
Place mixture in a 12x9x2 inch (or 9 inch round) pan, of which the inside surfaces have been oiled (or buttered) and sprinkled with flour to prevent sticking. Heat at 425 degrees F. in a pre-heated oven for 20 minutes or until the top begins to brown. Serves 12.

Easter Ricotta Tarts with Saffron

soffioni

During Easter time the Abruzzi people celebrate the holiday with traditional sweets called soffioni or “big puffs”. The name refers to the look these mini tarts get while baking. Their filling is made with fresh ricotta and flavored with citrus zest and saffron. The expensive spice is a local ingredient from the fields around the small town of Navelli. It takes the inner part of 150 flowers (called crocus) to yield 1 gram of dry saffron and the brief harvest occurs once a year, when the flowers bloom around mid October.

12 pastries

Ingredients

For the dough:

  • 2 1/4 cups all-purpose flour, plus some extra for the work surface
  • 1/3 cup sugar
  • 1 pinch of salt
  • 1/4 cup extra-virgin olive oil
  • 2 medium eggs plus 1 egg yolk

For the filling:

  • 1 pinch of saffron threads
  • 4 medium eggs
  • 1/2 cup of sugar
  • 2 cups of sheep’s milk ricotta or cow’s milk ricotta, well-drained
  • Zest of 1 small lemon, finely grated
  • Vegetable oil or butter for coating
  • Confectioners’ sugar for dusting

Prepare the dough:

In a large mixing bowl, combine the flour, sugar, olive oil, eggs plus the egg yolk and salt. Work the dough just until it comes together in a smooth and firm ball. Wrap it with plastic and let rest for about 30 minutes at room temperature while making the filling.

Heat the oven to 350 degrees F.

Prepare the filling:

If you have an electric mixer with the whisk attachment, use it to make the filling. Remember to clean the bowl and the beater before beating the egg whites.

In a small bowl, crush the saffron threads with the back of a teaspoon.

Separate the egg yolks from the whites. Beat the yolks in an electric mixer with the sugar until light and pale colored. Add the saffron, ricotta and lemon zest. Continue to beat until the mixture is fluffy. Set aside.

In another bowl or in a clean electric mixer bowl, beat the egg whites with a pinch of salt until light and fluffy. Gently fold the egg whites into the yolk and ricotta mixture.

Take the dough out of the wrap and roll it on a lightly floured surface into a square, about 1/8 inch thick. Using a fluted pastry cutter (or a knife), slightly trim the edges and then cut the pastry evenly into 12 squares.

Coat a 12 cup muffin baking pan with vegetable oil or butter and lightly dust with flour. Press the pastry squares into the muffin cups, making sure to leave the four corners hanging over the edges. With a spoon divide the ricotta filling among the 12 pastry cups without overfilling and then fold the corners over the center of the filling. They should not seal but remain partially separated from each other.

Bake at 350 degrees F for 30 minutes, then lower the oven temperature to 320 degrees F and continue baking for another 15 minutes until the tarts are golden.

Let cool at room temperature and then carefully remove the tarts from the muffin pan. Dust with confectioners’ sugar before serving.

 

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Marcella Hazan was born on this day, April 15, in 1924 in the village of Cesenatico in Emilia-Romagna. She earned a doctorate in natural sciences and biology from the University of Ferrara. In 1955 she married Victor Hazan, an Italian-born, New York-raised Sephardic Jew, who subsequently gained fame as a wine writer. The couple moved to New York City a few months later and Marcella was a newlywed who did not speak English, transplanted to a country whose knowledge of her native cuisine was not much more than spaghetti covered with what, to her, tasted like overly spiced ketchup. The culture shock was substantial. She found canned peas and hamburgers appalling and for coffee – she described it, “as tasting no better than the water we used to wash out the coffee pot at home”.

Hazan had never cooked before her marriage. As she recounted in the introduction to her 1997 book, Marcella Cucina, “… there I was, having to feed a young, hard-working husband who could deal cheerfully with most of life’s ups and downs, but not with an indifferent meal. In Italy, I would not have wasted time thinking about it. My mother cooked, my father cooked, both my grandmothers cooked, even the farm girls who came in to clean could cook. In the kitchen of my New York apartment there was no one.” She began by using cookbooks from Italy, especially Ada Boni’s cookbook, The Talisman Italian Cookbook, – also my first Italian cookbook. Soon after she realised that she had an exceptionally clear memory of the flavors she had tasted at home and found it easy to reproduce them in her kitchen. “Eventually I learned that some of the methods I adopted were idiosyncratically my own,” she recalled, “but for most of them I found corroboration in the practices of traditional Italian cooks.”

In October 1969 she began teaching Italian cooking classes that were as much about Italian culture and history as about food. She taught students that Italian cooking was really regional cooking, from the handmade noodles and meat sauce of Bologna to the fish and risotto of Venice to the linguine and clams of Naples.

Her recipes tended to use only ingredients that would actually be used in Italian kitchens (with some concessions for ingredients that are not readily available outside Italy). Mrs. Hazan embraced simplicity, precision and balance in her cooking. She emphasised careful attention to detail. In her third book, Marcella’s Italian Kitchen, Hazan laid out her “Elementary Rules” with some 22 commandments. Among them are:

  • Use no Parmesan that is not Parmigiano-Reggiano.
  • Never buy grated cheese of any kind; grate cheese fresh when ready to use.
  • Do not overcook pasta. Do not pre-cook pasta.
  • Unless you are on a medically prescribed diet, do not shrink from using what salt is necessary to draw out the flavor of food.
  • Dress salads with no other oil than olive.
  • Do not turn heavy cream into a warm bath for pasta or for anything else. Reduce it, reduce it, reduce it.
  • Choose vegetables that are in season and plan the entire meal around them.
  • Soak vegetables in cold water for half an hour before cooking to remove all trace of grit. Cook them until they are tender, but not mushy, so that they have a rich flavor. Cooking brings out the taste. If you cook vegetables too little because you want them crunchy, they all have one thing in common: They taste like grass. 
  • When sautéing onions, put them in a cold pan with oil and heat them gently; this will make them release their flavor gradually and give them a mellower taste than starting them in a hot pan.
  • Although some types of pasta, like tagliatelle, are best made freshly at home, others, like spaghetti, should be bought dried. Pasta should be matched carefully to the sauce.
  • Olive oil isn’t always the best choice for frying; in delicately flavored dishes, a combination of butter and vegetable oil should be used.
  • Garlic presses should be avoided at all costs.

Bibliography of Marcella’s books:

  • The Classic Italian Cook Book: The Art of Italian Cooking and the Italian Art of Eating (1973)
  • More Classic Italian Cooking (1978)
  • Marcella’s Italian Kitchen (1986)
  • Essentials of Classic Italian Cooking (1992)
  • Marcella Cucina (1997)
  • Marcella Says: Italian Cooking Wisdom from the Legendary Teacher’s Master Classes With 120 of Her Irresistible New Recipes (2004)
  • Amarcord: Marcella Remembers (Gotham Books, 2008)

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Scholarship Award

In her honor, the International Culinary Center (ICC)—the only school at which Marcella taught—is launching a scholarship in her name, sending worthy aspiring chefs to the seven-month Italian Culinary Experience, a program that begins at ICC’s campus in New York or California, then continues in Marcella’s home province of Emilia-Romagna in Italy, including staging (apprenticeships) in top restaurants in Italy. To access information and the application, click on the link below.

http://www.internationalculinarycenter.com/scholarships/marcella-hazan-summer-scholarship/

Recipes for some of Marcella Hazan’s pastas.

eggplant pasta

Eggplant, Tomato and Mozzarella Pasta

(From Marcella Says)

Serves 4-6

Ingredients

  • 1 medium eggplant or 2 small eggplants
  • 3 tablespoons extra virgin olive oil
  • 1/2 large can San Marzano tomatoes
  • 1 teaspoon dried chili flakes
  • Salt
  • 1/4 lb mozzarella, cut into thin strips
  • 1 lb short tube pasta, such as rigatoni or penne
  • 1/4 cup freshly grated pecorino cheese
  • Torn basil leaves

Directions

Boil 4 quarts of salted water in a large pot.

Remove the tops of the eggplant and cut into 1-inch dice.

Heat a 10-inch saute pan and add the olive oil. When oil is hot, add the eggplant. Cook about a minute, turning the eggplant frequently. Add tomatoes and chili flakes. Turn heat to low and simmer until the oil floats to the top of the sauce. Season with salt and remove from the heat.

Drop pasta into boiling water. When the pasta is nearly done, turn the heat down on the sauce and add the mozzarella, stirring until it dissolves into the sauce.

When the pasta is done, drain and transfer into a large warm bowl. Pour sauce over. Add pecorino cheese and torn basil leaves. Toss and serve at once.

Abruzzi pasta

Pasta with Abruzzi-Style Lamb Sauce

(From Marcella Cucina)

Serve 4 to 6.

Ingredients

  • 1 tablespoon extra-virgin olive oil
  • 1/4 cup chopped onion
  • 2 ounces pancetta, finely diced
  • 1 tablespoon chopped rosemary
  • 1/2 pound boneless lamb, cut into very fine dice
  • Coarse salt
  • Freshly ground pepper
  • 1/2 cup dry white wine
  • One 28-ounce can Italian plum tomatoes, coarsely chopped, with juices.
  • 1 pound penne, ziti or rigatoni
  • 1/3 cup freshly grated Pecorino Romano cheese, plus more for serving

Directions

Put the oil and onion in a large skillet and cook over moderately high heat, stirring frequently, until the onion is pale gold. Add the pancetta and rosemary and cook, stirring occasionally, until the pancetta fat is rendered; the pancetta should remain soft.

Add the lamb and cook until browned, 5 minutes. Season with salt and pepper and stir. Add the wine and simmer until evaporated, 10 minutes. Add the tomatoes and simmer gently, stirring from time to time, until the fat begins to separate from the sauce, 15 minutes.

Meanwhile, fill a large pot with 4 quarts of water and bring to a boil. Add 1 1/2 tablespoons of coarse salt, cover and return to a boil.
Add the pasta to the pot and stir rapidly with a wooden spoon. Cover and bring back to a boil. Uncover and cook the pasta, stirring frequently, until it is al dente.

Drain the pasta and immediately transfer it to a warmed bowl. Toss with the lamb sauce and the 1/3 cup of grated cheese. Serve at once, passing additional cheese at the table.

clam pasta

Pasta With Fresh Clams

(From Essentials of Classic Italian Cooking)

4-6 servings

Ingredients

  • 18 littleneck clams
  • 5 tablespoons extra-virgin olive oil
  • 2 large cloves garlic, peeled and sliced paper-thin
  • 1 1/2 tablespoons chopped parsley
  • 2 teaspoons chopped fresh hot red pepper or crushed dried red pepper to taste
  • 1 ripe plum tomato, seeded, diced and drained
  • 1/2 cup dry white wine
  • 1 pound spaghettini or spaghetti
  • Several basil leaves, torn up.

Directions

Wash and scrub the clams, dunking them in several changes of fresh water until there are no traces of sand. Discard any that remain open when handled. Place them in a dry skillet in one layer, cover the skillet and turn the heat to high. Cook, checking and turning occasionally to remove each clam as it opens; the total cooking time will be about 10 minutes.

Turn off the heat. Remove each clam from its shell and swish it in the cooking liquid to remove any remaining sand. Cut the clams into two or three pieces each, then put them in a bowl with 2 tablespoons of olive oil. Cover and set aside. Pass the cooking liquid through a strainer lined with paper towels or cheesecloth and set aside.

Place the remaining oil and the garlic in a skillet large enough to hold the pasta later and turn the heat to medium high. Cook, stirring, for a few seconds, then add parsley and chili pepper. Stir once or twice, then add tomato. Cook for a minute, stirring, then add the wine. Cook for 30 seconds, then turn off the heat.

Meanwhile, set a large pot of water to boil and salt it. Cook the pasta until it is very firm to the bite, just short of being fully cooked (it should be so firm that you would not yet want to eat it). Drain it, turn the heat to high under the skillet and add the pasta to the skillet, along with the filtered clam juice. Cook, tossing and turning the pasta, until the juice has evaporated. The pasta should now be perfectly cooked; if it is a little underdone, add some water and continue to cook for another minute.

Add the cut-up clams with their oil and the basil leaves; toss two or three times, then serve.

carbonara

Marcella Hazan’s Spaghetti Carbonara

(From Essentials of Italian Cooking)

Serves 6

Ingredients

  • 1/2 pound cubed pancetta or slab bacon
  • 1 small onion, finely diced
  • 4 garlic cloves
  • 3 tablespoons extra virgin olive oil
  • 1/4 cup dry white wine
  • 2 large eggs
  • 1/4 cup freshly grated romano cheese
  • 1/2 freshly grated Parmigiano-Reggiano cheese
  • freshly ground pepper
  • 2 tablespoons chopped parsley
  • 1 1/4 pound spaghetti

Directions

Mash the garlic with a fork and saute in the olive oil in a pan on medium heat while you cook the spaghetti. Saute until the garlic becomes a deep gold color, then remove and discard it.

Put the onion and cubed pancetta or bacon in the pan and cook until onions are golden and the pancetta is crisp at the edges. Add the wine and let it bubble for 2 minutes, then turn off the heat.

Break the eggs into a serving bowl in which you will toss the pasta. The serving bowl can be warmed in the oven, if it is oven proof. Beat the eggs lightly with a fork, add the cheeses, a liberal grinding of pepper and the chopped parsley. Mix thoroughly.

Add cooked drained spaghetti to the bowl and toss rapidly, coating the strands well. Briefly reheat the onion and pancetta over high heat. Turn out the contents of the pan into the pasta bowl and toss thoroughly once more. Serve immediately.

zucchini penne

Penne with Creamy Zucchini and Basil Sauce

(From The Classic Italian Cookbook)

Serves 5

Ingredients

  • 1 lb penne
  • 2 lb zucchini
  • 1/2 tablespoon butter
  • 1 tablespoon olive oil
  • 2 cloves garlic, finely chopped
  • 1/2 cup half and half or heavy cream
  • Salt and pepper, to taste
  • One bunch of basil, chopped finely
  • 1/4 cup parmesan cheese

Directions
Set a large pot of salted water to a boil. Cook pasta al dente.

Meanwhile, slice zucchini in thin strips.

Heat butter and olive oil in a pan over medium heat. Add garlic and stir. Before garlic starts to brown, add zucchini and cook, stirring occasionally, until cooked through and starting to brown a bit.

Add cream. Season with salt and pepper. Let cook on medium-low heat until thickened a bit and let simmer until the pasta is done.

Just before mixing with the pasta, stir basil into the sauce and turn off the heat. Toss with pasta and parmesan cheese.

 

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National Archeology Museum of Naples

National Archeology Museum of Naples

The National Archaeological Museum of Naples, Museo Archeologico Nazionale di Napoli, has one of the world’s best collections of Greek and Roman artifacts, including mosaics, sculptures, gems, glass and silver and a collection of Roman erotica from Pompeii. Many of the objects come from excavations at Pompeii, Herculaneum and nearby archaeological sites. The collection includes works of the highest quality produced in Greek, Roman and Renaissance times. It is the most important archaeological museum in Italy. Charles III of Spain founded the museum in the 1750s. The building he used for it had been erected as a cavalry barracks and later was the seat of the University of Naples until it became the site of the museum.

Some of the highlights include:

A major collection of ancient Roman bronzes from the Villa of the Papyri is housed at the museum and includes the Seated Hermes, a sprawling Drunken Satyr and a bust of Thespis.

Mosaics covering the period from two centuries BC until the eruption of Vesuvius in 79 AD and mosaics that were parts of floors and walls in Pompeii, Herculaneum and Stabiae are displayed. Many of the mosaics include figures from Greek paintings. The most well-known are the mosaics from the House of the Faun in Pompeii. The museum’s collection also includes a number of important mosaics recovered from the ruins of  several Vesuvian cities. This includes the Alexander Mosaic, dating circa 100 BC, and depicts a battle between the armies of Alexander the Great and Darius III of Persia. Another important mosaic is of the gladiatorial fighter depicted in the mosaic found at the Villa of the Figured Capitals.

mosaic

Dog Mosaic

Secret Cabinet – This room was created in the early 1800′s to house the museum’s many sexual items. It was closed for many years but reopened in 2000. The Secret Cabinet (Gabbinete) or Secret Room is the name the Bourbon Monarchy gave the private rooms in which they held their fairly extensive collection, mostly derived from excavations of Pompeii and Herculaneum. Access was limited to only persons of a mature age. After the revolution of 1848, the government of the monarchy proposed the destruction of these objects, fearful of the implications of their ownership, which would tarnish the monarchy’s reputation. The, then, director of the Royal Bourbon Museum had access to the collection terminated and the entrance door was sealed with three different locks, whose keys were held respectively by the Director of the Museum, the Museum Controller and the Palace Butler. This censorship occurred in 1851 when even nude Venus statues were locked up. The entrance was eventually walled up in the hope that the collection would vanish from memory.

In September 1860, when the forces of Garibaldi occupied Naples, he ordered that the collection be made available for the general public to view. Since the Royal Butler was no longer available, they broke into the collection and restored viewership.  Censorship was again imposed during the era of the Kingdom of Italy and continued into the Fascist period, when visitors to the rooms needed the permission of the Minister of National Education in Rome. Censorship persisted through the postwar period up to 1967, abating only after 1971 when the Ministry was given new rules to regulate requests for visits and access to the section. Completely rebuilt a few years ago with all of the new criteria, the collection was finally opened to the public in April 2000. Visitors under the age of 14 can tour the exhibit only with an adult.

Frescoes come from the walls in Pompeii. Covering a period of about two centuries, the frescoes are excellent examples of Roman painting. They cover a variety of themes, including mythology, landscapes and scenes of daily life.

Temple of Isis  is a special exhibit that holds wall paintings removed from the temple in Pompeii, as well as artifacts from the temple.

Pompeii Model

Pompeii Model

Pompeii Model was made in the 19th century and is a model of the city that helps the visitor visualize what it looked like before the eruption.

Sculptures of Greeks and Romans are housed in a large collection at the museum.

Coins and Metals  are displayed in six  rooms containing more than 200,000 coins and medals from Ancient Greece, Rome, medieval times and the Bourbon era.

Prehistory and Early History rooms cover objects related to the Bay of Naples from paleolithic times to Greek colonization in the 8th century BC. There’s a section on Etruscan occupation of the area.

The museum has the third largest collection of Egyptian artifacts in Italy, after the Vatican Museum and the Museo Egizio in Turin. It is made up primarily of works from two private collections, assembled by Cardinal Borgia in the second half of the 18th century and Picchianti in the first years of the 19th. In the recent rearrangement of the galleries the two collections have been exhibited separately, while in a connecting room other items are on display, including Egyptian artifacts from Pompeii and other Campanian sites. In its new layout the collection provides both an important record of Egyptian civilization from the Old Kingdom (2700-2200 B.C.) up to the Ptolemaic-Roman era.

Museo di Capodimonte

Museo di Capodimonte

Museo di Capodimonte is located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting and some important ancient Roman sculptures This museum has the largest collection in Italy aside from the Uffizi — and yet you don’t have to vie for space in front of its masterpieces. The Capodimonte contains pieces by Caravaggio, Raphael, Michelangelo, Botticelli, Titian, Bellini, El Greco, Artemisia Gentileschi, even an Andy Warhol painting of Mt. Vesuvius erupting… among others.

Napoli_-_Museo_di_Capodimonte_(salone_da_ballo)

The collection can trace its origins back to 1738, when King Charles VII of Naples and Sicily (later Charles III, king of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court and partly because he needed somewhere to house his Farnese art collection, which he had inherited from his mother, Elisabetta Farnese, the last descendant of the sovereign ducal family of Parma.

Over the years the palace was enlarged and filled with more art. In 1787, on the advice of Jacob Philipp Hackert, a laboratory for the restoration of paintings was created. After the palace passed in 1861 to the House of Savoy, further pieces were added to the art collections, appointing Domenico Morelli as consultant for new acquisitions. They also added an extensive collection of historic firearms and other weapons. In 1866, the boudoir of Maria Amalia of Saxony was transferred to Capodimonte from the Palace of Portici and in 1877 a Roman era marble floor was brought in from a Roman villa on Capri. After the end of the monarchy, the palace became a national museum in 1950.

Naples museum

Cappella Sansevero

The Cappella Sansevero (also known as the Capella Sansevero de’ Sangri or Pietatella) is a chapel north of the church of San Domenico Maggiore, in the historic center of Naples, Italy. Its origin dates to 1590 when John Francesco di Sangro, Duke of Torremaggiore, after recovering from a serious illness, had a private chapel built in what were then the gardens of the nearby Sansevero family residence, the Palazzo Sansevero. The building was converted into a family burial chapel by Alessandro di Sangro in 1613 (as inscribed on the marble plinth over the entrance to the chapel). The Prince of Sansevero also included Masonic symbols in its reconstruction. Until 1888 a passageway connected the Sansevero palace with the chapel.

Cappella Sansevero Interni Cristo Velato

Christ Veiled under a Shroud

Christ Veiled under a Shroud

The museum contains works of art by some of the leading Italian artists of the 18th century including sculptures of the late Baroque period. The chapel houses almost thirty works of art, among them sculptures made of a marble-like substance that, in whole or in part, was invented by Raimondo, who also participated in the design of the works of art in the chapel. The Veiled Truth was completed by Antonio Corradini in 1750 as a tomb monument dedicated to Cecilia Gaetani dell’Aquila d’Aragona, mother of Raimondo. A Christ Veiled under a Shroud (also called Veiled Christ) was completed in 1753 by Giuseppe Sanmartino. It is a masterpiece of expression — even though there is a veil covering the face.

The ceiling, the Glory of Paradise, was painted by Francesco Maria Russo in 1749. The original floor (most of the present one dates from 1901) was in black and white (said to symbolize good/evil) in the design of a labyrinth.

In the basement there is a painting by the Roman artist, Giuseppe Pesce, Madonna con Bambino, dating from around 1750. It was painted using wax-based paints of Raimondo di Sangro’s own invention. The prince presented this painting to his friend Charles Bourbon, King of Naples.

macchine-anatomiche-cappella-sansevero

There are also “anatomic models” of 18th century people whose skeletons, arteries and veins have all been preserved to this day. However, analysis of the “blood vessels” indicate they are constructed of beeswax, iron wire and silk.

 

naples_1742999c

The Bay of Naples

Neapolitan Cuisine

Ask any Italian where the best pizza in Italy comes from and the answer will be — begrudgingly — the same: “Napoli.” Here’s where pizza was invented and, since the 19th century, the Neapolitans have raised it to a fine art.

Pizza is far from the only food Naples does well. Its fritti (fried offerings), seafood and pastas are top-notch, too. But the one thing you can’t miss are the baked goods. Thanks to Naples’ mixed heritage — from the 12th to 19th centuries, the French, Spanish, Austrians and Bourbons all claimed control at some point — its pastries have picked up the best of all foreign influences, such as baba, zeppola, sfogliatelle or around Easter time – the pastiera.

Neapolitan pizza

 Naples-Style Pizza Dough

Ingredients

  • 2 tablespoons sugar (⅞ oz.)
  • 1 tablespoon olive oil (½ oz.)
  • ½ teaspoon active dry yeast
  • 5½ cups “00″ flour, (1 lb. 12 oz.)
  • 2 tablespoons kosher salt (¾ oz.)

Directions

Combine sugar, oil, yeast and 2 cups cold water in bowl of a stand mixer fitted with a dough hook; let sit until foamy, 8-10 minutes. Mix flour and salt in a separate bowl.

With motor running, slowly add flour mixture; mix until a smooth dough forms, 8-10 minutes. Transfer dough to a greased baking sheet; cover with plastic wrap. Let sit at room temperature 1 hour.

Divide dough into 4 balls; transfer to a greased 9″ x 13″ dish; brush tops with oil. Cover with plastic wrap; refrigerate for 48 hours.

Salsa di Pomodoro Fresco

Ingredients

  • 2 (28-oz) cans whole peeled tomatoes, packed in purée
  • Kosher salt, to taste

Directions

Remove each whole tomato from the can and reserve 3 cups of the purée. Cut the tomatoes in half and, using your fingers, remove and discard the seeds (don’t rinse).

Place the tomatoes in a food processor and pulse until just crushed but not puréed. (Alternatively, crush the tomatoes by hand or pass them through a food mill.)

Transfer the tomato sauce to a bowl and stir in the reserved 3 cups of purée and salt.

Pizza Margherita

4 pizzas

Ingredients

  • 1 recipe Naples-style pizza dough
  • Fine semolina, for dusting
  • 1 recipe Naples-style pizza sauce
  • 1 lb. fresh mozzarella, thinly sliced
  • 16 fresh basil leaves
  • Olive oil

Directions

Place a pizza stone under the broiler; heat for 30 minutes.

Working with the 4 batches of dough, dust 1 ball dough with semolina. Using your fingertips, press dough into a 10″ circle about ¼” thick, leaving a 1″ crust around the edges.

Hold dough straight up, and with fingertips circling crust, slide fingers around crust in a circular motion as you would turn a steering wheel until dough in the center is stretched to about ⅛” thick; transfer to a semolina-dusted pizza peel.

Spread ½ cup sauce over dough and distribute a quarter each of the cheese and basil leaves; drizzle with oil. Slide pizza onto the stone; broil until the  cheese melts and the crust is puffed and charred in spots, 3-4 minutes.

easy-lasagna

Lasagne alla Napoletena

Also known as carnival lasagna, a traditional southern recipe from Naples.

Serves 4

Ingredients

  • 6 oz. (gr.170) lasagne (fresh homemade lasagne pasta, if possible)
  • 8 oz. (gr.225) Italian sausage
  • 4 oz. (gr.115) mozzarella cheese
  • 8 oz. (gr.225) ricotta cheese
  • 1 egg
  • 10 oz. (gr.300) ripe tomatoes or whole canned, chopped
  • 2 tablespoons (gr.30) butter
  • 4 tablespoons (ml.60) extra virgin olive oil
  • 2 hard-boiled eggs
  • 1 medium onion, chopped
  • Small bunch of basil, minced
  • 2 tablespoons grated Parmesan cheese
  • Salt and pepper

Directions

In a saucepan heat the olive oil and brown the onion. Add the tomatoes, salt and pepper. Cook for 15 minutes at low heat. Add the minced basil.

Brown the Italian sausages in a skillet on all sides. Set aside to cool. After cooling, remove the casing and thinly slice the sausage.

Dice  the mozzarella cheese. Slice the hard-boiled eggs.

In a mixing slightly beat the egg together with the Parmesan cheese and a pinch of salt and pepper.

Heat the oven to 375°F (190°C).

Oil the bottom of a lasagna pan and lay 3 noodles crosswise. Spread with some of the tomato sauce, some diced mozzarella, some ricotta, a few tablespoons of the eggs and cheese mixture, some slices of the hard-boiled eggs and some pieces of the Italian sausages. Repeat the layering procedure until all ingredients are used.

For the last layer cover with just the noodles and spread the top with softened butter. Adjust the oven rack to the middle position and bake the lasagna for 20 minutes.

Remove the pan from the oven and let lasagna rest for 5 minutes. Cut and serve.

zuppapesce28plated29_edited-11

Neapolitan Zuppa di Pesce 

The Neapolitan version will almost always include one or more kinds of mollusks such as squid, baby cuttlefish or octopus, clams or mussels or both, and a variety fish with fins. The fish was usually the local catch, so many local varieties of fish, most of them small and some quite bony but flavorful, can be added to the pot. Larger fish can be cut into serving or even bite-sized pieces. The most typical fish of all is scorfano, called ‘scorpion fish’ in English. (Scorfano is also typical of the Tuscan cacciucco and some of the Adriatic brodetti.) Triglie—red mullet—is also a common addition. But any firm-fleshed fish that lends itself to simmering will do: monkfish, snapper, catfish, sole. Less typical of this kind of fish soup are sea scallops and shellfish but they are nice additions.

Ingredients

Serves 4-6

For the tomato base:

  • 3 cloves of garlic, crushed
  • 1 peperoncino (or a pinch of red pepper flakes)
  • Olive oil
  • A can of San Marzano tomatoes, crushed
  • Salt and pepper
  • A splash of white wine
  • 1 bunch of Italian parsley, chopped

For the seafood (in the order they should be added to the pot):

  • An assortment of mollusks, such as squid, baby cuttlefish or octopus, cut into bite-sized pieces
  • An assortment of firm-fleshed fish of your choice, such as monkfish cut into large chunks
  • Shrimp, crayfish and/or sea scallops
  • Clams and/or mussels

Directions

Sauté the garlic in 1 tablespoon olive oil and add the peperoncino.  When the garlic is just barely beginning to brown; add the tomatoes. Season with salt and pepper (going light on the salt since the shellfish will be salty) and add some of the chopped parsley. Simmer for 10 minutes or so, or until the  sauce begins to reduce. Add a splash of white wine.

Add the seafood starting with the varieties that take the longest to cook, then progressing to those that take less time. Begin with the mollusks, since they will take some time to cook. With baby cuttlefish, let them simmer about 10 minutes before adding any other fish. Octopus or mature squid (cut up into bite-sized pieces) will take much longer, usually about 30 minutes. Then add the fish and let that cook for another five minutes. Finally, add the clams and mussels and simmer them just until they open. Sprinkle with a bit more finely chopped parsley and serve immediately with crusty bread.

pasteria

Ricotta Neapolitan Easter Pie (Pasteria)

Serves 8

Ingredients

  • 1 qt whole milk
  • 3/4 cup Arborio rice
  • 1 teaspoon ground cinnamon
  • ½ teaspoon coarse salt
  • 1 vanilla bean, split lengthwise
  • 1¼ cups granulated sugar
  • Unsalted butter, for the pan
  • All-purpose flour, for pan
  • 3 lbs fresh ricotta cheese, drained 3 hours or preferably overnight
  • 3 large whole eggs
  • 3 large egg yolks, lightly beaten
  • Confectioner’s sugar, for dusting

Directions

Boil milk in a large saucepan over medium-high heat. Stir in rice, cinnamon, salt and the vanilla bean. Reduce heat to medium-low. Cook, stirring occasionally with a wooden spoon, for about 30 minutes or until rice is very tender and has absorbed all the liquid.

Remove pan from the heat. Stir in ¾ cups granulated sugar. Cover. Let cool, stirring occasionally. Discard vanilla bean.

Preheat oven to 350°F. Butter and flour an 8-inch springform  pan.

In a large bowl, mix the rice mixture, ricotta, whole eggs, egg yolks and remaining ½ cup sugar. Pour into prepared pan.

Bake for 60 to 70 minutes or until golden on top and almost set in the center. Cover with foil if starting to brown too much.

Transfer pan to a cooling rack. When cake has completely cooled, run a knife around edge to loosen. Gently remove ring.

Transfer cake to a serving platter. Sprinkle with confectioner’s sugar.

 

 

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3 lentils

Although they may be cheap, lentils are very nutritious, filling and very flavorful. From a nutritional standpoint, they are rich in fiber and in iron and are, consequently, ideal for people suffering from anemia.

Lentils have been a source of sustenance for our ancestors since prehistoric times and lentil artifacts have been found on archeological digs dating back 8,000 years. As a plentiful source of protein, lentils were found on the tables of peasants and kings alike and the poor, who could not afford fish during the season of Lent, substituted lentils.

Thought to have originated in the Near East and/or the Mediterranean area, lentils are small disks resembling a flat baby pea. When halved, dried lentils resemble their split pea cousins. They grow two to a pod and are dried after harvesting.

In Italy two major types of lentils are grown: the hiemal strain matures in late summer and produces larger seeds that are more delicate in flavor, whereas the minus strain matures in the spring and has smaller seeds.

Lentil Plants

Lentil Plants

In addition to playing an important role in soups and other first course dishes, lentils are a traditional Italian accompaniment for sausages. Lentils are served on New Year’s Day in Italy because their shape brings to mind tiny coins and people eat them in the hope that they won’t want for cash during the rest of the year.

There are hundreds of varieties of lentils, with as many as fifty or more cultivated for food. They come in a variety of colors with red, brown and green being the most popular. Lentils have an earthy, nutty flavor and some varieties have a slight peppery taste.

Select lentils that are dry, firm, clean and not shriveled. The color of lentils you choose will depend on your usage, but in general, the color should be fairly uniform. Canned lentils are also available, but it is just as easy to cook your own.

If your recipe calls for a lentil that will retain its shape when done, common brown lentils are the usual choice. Brown lentils still have their seed coat and have not been split. Most red, yellow and orange lentils tend to disintegrate with long cooking because the hulls have been removed. Slightly sweet in flavor, these are best reserved for pureed soups or stew thickeners. Other choices include French lentils which are olive-green and slate-colored. These will cook up the firmest. Persian green lentils will turn brown as they cook and become tender while still retaining their shape. Considered the most flavorful (and most expensive) are the French Puy lentils, which also retain their shape.

Lentil Flour, 20 oz

You may be able to find lentil flour in some specialty markets. It is used in India to make a fermented dough for bread.

Dried lentils have an indefinite shelf-life, yet another reason why our ancestors kept them as a staple food. With age, the color may fade a bit, but the flavor will not deteriorate. Store lentils in a sealed package or airtight container in a cool, dry place.

red-lentil-jar

Cooked lentils may be refrigerated up to one week in a sealed container. Cooked lentils may also be frozen up to six months. However, they may fall apart when reheated, if not handled gently.

These measures will help you determine how many lentils you need for your recipe.

• 1 cup dry lentils = 2-1/2 cups cooked
• 1 pound dried lentils = 2-1/4 cups dry
• 1 pound dried lentils = 4 servings
• 1 pound dried lentils = 5 cups cooked

Lentils are a natural in soups and stews and also make a great cold salad. The high protein content in lentils makes them an excellent meat substitute.
Lentils need no pre-soaking and cook much more quickly than other dried legumes. To cook lentils, simply pick over to remove debris or shriveled lentils, rinse and drain. Cover with water or broth and boil for 2 to 3 minutes. Reduce heat and simmer until tender. Depending on the variety and age, cooking time may take anywhere from 10 minutes to 1 hour. Add salt once the lentils are completely cooked. Acidic ingredients such as wine or tomatoes can lengthen cooking time. You may wish to add these ingredients after the lentils have become tender. Older lentils will take longer to cook because they have lost more moisture. Do not mix newly purchased lentils with old ones. They will cook unevenly.

lentil-salad-ck-1142011-x

Lentil and Herb Salad

Lentils are popular across Italy, where they are grown in Umbria in the north and Puglia and Sicily in the south. Technically not a “bean,” lentils are legumes. Unlike beans, lentils require no soaking, so this salad is quick and easy to prepare. Serve as a side salad or add a cup of diced mozzarella and it makes a light main dish.

6 servings

Ingredients

  • 1 cup dried lentils
  • 1/2 cup finely chopped red onion
  • 2 tablespoons finely chopped fresh flat-leaf parsley
  • 1 tablespoon finely chopped fresh basil
  • 1 tablespoon thyme leaves
  • 1/2 teaspoon salt
  • 1/4 teaspoon freshly ground black pepper
  • 3 tablespoons red wine vinegar
  • 2 tablespoons olive oil

Directions

Place lentils in a large saucepan. Cover with water to 2 inches above lentils; bring to a boil. Reduce heat and simmer 30 minutes or until tender. Drain well.

Place lentils in a large bowl. Stir in onion and next 4 ingredients (through pepper). Add vinegar and oil; toss well. Serve at room temperature.

zuppa-lenticchie-e-spinaci

Italian Lentil Soup with Rice and Spinach

Serves 4

Ingredients

  • 1 cup (200 g) short-grained rice
  • 1 cup (200 g) lentils
  • 1 bunch spinach, washed and cut into strips
  • 2 cloves garlic
  • One whole onion
  • 1 rib celery, cut in half
  • 1 cup plain tomato sauce
  • 4 tablespoons olive oil
  • Salt and pepper to taste

Directions

Rinse the lentils and cook them for 30-45 minutes in 2 quarts of water with the onion and celery.  Season with salt and pepper to taste. Remove the lentils with a slotted spoon and strain the broth, discarding the celery. Reserve the broth and onion separately.

Slice the onion and sauté it with the oil and the garlic for 3 minutes; add the tomato sauce and cook 2 minutes more. Add the lentils, the spinach and the lentil broth. When the soup comes to a boil add the rice and cook, stirring occasionally, until it is done, about 15 minutes. Adjust seasoning.

lentils sausage

Lentils with Italian Sausage

10 servings

Ingredients

  • 1 pound dry lentils
  • Cold water
  • 2 pounds fresh italian sausage, sweet or hot
  • 3 cups homemade or low sodium canned chicken broth
  • 1/4 cup olive oil
  • 1 small onion, finely chopped
  • 1 rib celery, finely chopped
  • 1 carrot, finely chopped
  • 2 cloves garlic, finely minced
  • 8 fresh sage leaves, chopped, or 1 teaspoon dried rubbed sage
  • Salt and pepper to taste
  • 3 tablespoons tomato paste, diluted in a little water

Directions

Wash lentils well by soaking them briefly in water and changing the water at least once. Put them in a 2-1/2-quart saucepan, add cold water to cover and bring to a boil. Lower heat to simmer and cook until not quite done, about 30-40 minutes.

Meanwhile, pierce the sausages in several places and then put them in a small saucepan. Add the chicken broth and place over medium heat. Bring to a gentle boil and simmer for about 40 minutes. From time to time, skim off and discard foam and fat that rise to the top. When sausages are done, remove the pot from the heat and let them sit in the broth while you finish the lentils.

Warm the oil in a medium skillet and saute the onion, celery, carrot, garlic and sage in the olive oil over medium heat until the onion is translucent and the vegetables are done.

Drain the sausages, saving their liquid. To the lentil pot, add the vegetables, season with salt and pepper and add the tomato paste. Mix gently using a wooden spoon. Add 3/4 cup of the broth in which you cooked the sausages. Taste and adjust the seasoning, if needed.

To serve, arrange the sausages on a platter next to the warm lentils.

lentil pasta

Pasta with Lentil Bolognese

6 servings

Ingredients

  • 2 tablespoons extra-virgin olive oil
  • 1/2 small onion, chopped
  • 1 small carrot, chopped
  • 1 stalk celery, chopped
  • 4 garlic cloves, minced
  • 1 1/2 teaspoons tomato paste
  • 1- 28 to 32 oz can whole peeled plum tomatoes, drained and roughly chopped (juice reserved)
  • 1 1/4 cups dried green lentils
  • Coarse sea or kosher salt and freshly ground black pepper to taste
  • 1/2 teaspoon crushed red pepper
  • 1/2 teaspoon dried oregano
  • 1 pound shaped pasta, such as cavatappi or rigatoni
  • Pecorino cheese, grated or shaved
  • Fresh basil, chopped

Directions

In a large pot over medium heat, warm the olive oil. Add the onion, carrot, celery and garlic and cook slowly until the vegetables soften and turn golden, about 20 minutes.
Increase heat to medium-high and add the tomato paste. Cook until the mixture dries out a bit, about 3 minutes. Pour in the reserved juice from the tomatoes and cook, scraping the browned bits from the bottom of the pan, until the liquid has reduced by half, 1 to 2 minutes.

Stir in the lentils, tomatoes, and 1 cup water. Bring to a boil, then reduce heat. Season with the oregano,crushed red pepper, salt and pepper and simmer until the lentils are tender, 30 minutes to 1 hour, depending on the lentils. (If the sauce begins to dry out, add additional water as needed.) Reduce heat to low and keep warm.

Cook the pasta according to the package directions; drain. Serve with the lentil sauce, sprinkle with the pecorino and garnish with basil.

seafood_stew_lentils

Seafood Stew with Lentils

Ingredients

For the Fish Stock:

  • 1 fresh flat-leaf parsley sprig
  • 1 fresh thyme sprig
  • 1 onion, chopped
  • 1 carrot, sliced
  • 1 celery stick, sliced
  • 1 tablespoon black peppercorns, lightly crushed
  • 2 and 1/4 lbs (1 kg) white fish or white fish bones and heads, gills removed
  • Salt

For the Stew:

  • 3 tablespoons extra virgin olive oil, plus extra for drizzling
  • 1 celery stick, chopped
  • 1 carrot, chopped
  • 1 onion, chopped
  • 3 and 1/2 oz (100 grams) cooked lentils
  • 9 oz (250 grams) fish and seafood cut into serving pieces, such as sea bass fillets, prepared squid, peeled prawns, peeled langoustines (small lobsters or use lobster claws) and scrubbed clams
  • 28 oz can crushed Italian tomatoes
  • 1 fresh flat-leaf parsley sprig, chopped
  • 1 fresh basil sprig, chopped
  • Salt and pepper

Directions

Prepare the Fish Stock:

Pour 3 pints (2 liters) water into a large saucepan, add the herbs, onion, carrot, celery and peppercorns and season with salt.

Gradually bring to the boil, then lower the heat and simmer for 30 minutes.

Remove from the heat, let cool.

Add the fish bones and return to the heat, bring just to the boil;  lower the heat and simmer for 20 minutes.

Remove from the heat and let the fish bones cool in the stock for a stronger flavor. Strain the stock.

Prepare the Stew:

Heat 1 tablespoon of the olive oil in a skillet and add 1 tablespoon each of the celery, carrot and onion and cook over a low heat, stirring occasionally, for 5 minutes.

Stir in the lentils and cook for a few minutes more.

Heat the remaining olive oil in a shallow saucepan and add the remaining celery, carrot and onion and cook over a low heat, stirring occasionally, for 5 minutes.

Add the sea bass and the squid. Increase the heat to high and cook for 1 minute, then add the prawns, langoustines, clams and lentil mixture.

Pour in the strained fish stock, tomatoes and season with salt and pepper. Cook until the fish is tender.

Remove the pan from the heat and add the parsley and basil. Serve with a drizzle of olive oil.

beef lentils

Braised Chuck Steak with Savory Lentil Stew

Makes 4 to 6 servings

Ingredients

  • 2 pounds beef chuck blade steaks, cut 3/4 to 1 inch thick
  • 1 tablespoon olive oil
  • 2-1/4 cups water
  • 1 medium onion, finely chopped
  • 2 bay leaves
  • 1 cup uncooked lentils, rinsed
  • 2 large carrots, diced
  • 1/2 teaspoon dried Italian seasoning

Directions

Heat a large deep skillet with a cover over medium heat until hot. Add the beef to the skillet and brown evenly. Season the beef with salt and pepper to taste.

Add water, onion and bay leaves to the skillet; bring to a boil. Reduce heat; cover tightly and simmer 1-1/4 hours.

Add lentils, carrots and Italian seasoning to the skillet; return to a boil. Continue simmering, covered, 30 to 45 minutes or until lentils and beef are fork-tender.

Discard bay leaves before serving.

 

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cellini

The self-portrait of master goldsmith Benvenuto Cellini

Benvenuto Cellini was a Florentine sculptor, goldsmith, soldier and writer. He was born in 1500 in Florence, Italy and his parents were Giovanni Cellini and Maria Lisabetta Granacci. They were married for eighteen years before the birth of their first child. Benvenuto was the second child of the family. The son of a musician and builder of musical instruments, Cellini was pushed towards music,but when he was fifteen his father reluctantly agreed to apprentice him to the goldsmith, Antonio di Sandro. However, at the age of sixteen, Benvenuto attracted attention in Florence by taking part in an altercation with his companions. He was banished for six months by the magistrates and went to live in Siena, where he worked for a goldsmith named Fracastoro. From Siena he moved to Bologna, where he became a more accomplished flute player and made progress as a goldsmith. After a visit to Pisa and a period of studying sculpture in Florence, he moved to Rome.

His first artistic works were a silver casket, silver candlesticks and a vase for the bishop of Salamanca, which won him the approval of Pope Clement VII. Another celebrated work from his time in Rome is the gold medallion, “Leda and the Swan”, created for Gonfaloniere Gabbriello Cesarino that is now in the Museo Nazionale del Bargello in Florence. He also took up the flute again and was appointed one of the pope’s court musicians.

In the attack on Rome by Charles III, Duke of Bourbon, Cellini gained fame as a soldier. According to his own accounts, he shot and injured Philibert of Châlon, Prince of Orange. His bravery led to a reconciliation with the Florentine magistrates and he soon returned to his hometown of Florence. Here, he devoted himself to crafting medals in gold, the most famous of which are “Hercules and the Nemean Lion” and “Atlas Supporting the Sphere”, the latter eventually falling into the possession of Francis I of France.

He returned to Rome and this time he was employed in the craft of making jewelery and in casting dies for medals and the papal mint. In 1529 his brother, Cecchino, killed a Corporal of the Roman Watch and, in turn, was wounded. He later died. Soon afterward Benvenuto killed his brother’s killer – an act of blood revenge, but not justice, as Cellini admits that his brother’s killer had acted in self-defense. Cellini fled to Naples to escape the consequences. Through the influence of several cardinals, he later obtained a pardon. Cellini next went to Venice, where he was restored with greater honor than before.

At the age of 37, after returning from a visit to the French court, he was imprisoned on a charge (apparently false) of having embezzled the gems of the pope’s tiara during the war. He was confined to the Castel Sant’Angelo, escaped, was recaptured and treated severely. The intercession Cardinal d’Este of Ferrara, eventually secured Cellini’s release, in gratitude for which he crafted d’Este a gold cup.

Bust of Benvenuto Cellini on the Ponte Vecchio, Florence

Bust of Benvenuto Cellini on the Ponte Vecchio, Florence

Besides his works in gold and silver, Cellini created sculptures of a grander scale. One of the main projects of his French period is probably the “Golden Gate” for the Château de Fontainebleau. Only the bronze tympanum of this unfinished work, which represents the Nymph of Fontainebleau (Paris, Louvre), still exists, but the complete spectrum of his work can be known through archives,his preparatory drawings and reproduced casts. His most distinguished sculpture, the bronze group of “Perseus with the Head of Medusa” now in the Loggia dei Lanzi at Florence, was his attempt to surpass Michelangelo’s, “David” and Donatello’s, “Judith and Holofernes”. The casting of this work caused Cellini much trouble and anxiety, but it was called a masterpiece as soon as it was completed. By 1996, centuries of environmental pollution exposure had damaged the statue. In December 1996 it was removed from the Loggia and transferred to the Uffizi for cleaning and restoration. It was a slow, years-long process and the restored statue was returned to its home in June 2000.

The autobiography of Benvenuto Cellini was started when he was 58 and ended just before his last trip to Pisa around the year 1563, when Cellini was approximately 63 years old. The memoirs give a detailed account of his career, as well as his loves, hatreds, passions and enjoyments, that is written in an energetic, direct and racy style. They show a great self-regard and self-assertion, sometimes running into extravagances which are impossible to credit. Despite its exaggerations and its often boastful tone, it is a document of surprising frankness and incomparable authenticity and, thanks to it Cellini’s character, is more intimately known than that of any other figure of his time.

He died in Florence in 1571 at the age of 71 leaving behind a magnificent legacy of work. For all his exploits, Benvenuto Cellini remains a hero of Florence, in the Piazzale Degli Uffizi, outside the famous Uffizi Gallery, a life-size sculptor of him stands alongside the great masters of renaissance art, Da Vinci, Raphael and, of course, Michelangelo.

Still in the news today, Cellini’s gold and enamel masterpiece the “Saltcellar of Francis I” executed in 1540 for the King of France and valued today at $60,000,000, was recovered recently after being stolen from a museum in Vienna. Being chosen as a member of the Accademia delle Arti del Disegno shows the respect he commanded: not just as an artist but as a patron of Florence.

florence

Some Florentine Specialties

Much of the simplicity of Tuscan cuisine was born out of necessity. Wild herbs and greens were used in simple soups. Every part of the animal was used–cibreo is a popular Florentine chicken stew that features cockscombs. Tuscan bread, a rustic sourdough baked in a wood-fired oven, traditionally was made without expensive salt. That meant it quickly went stale and so ribollita was born, a vegetable soup thickened with bread. Panzanella is a summer salad made from stale bread cubes, fresh tomatoes, basil and Tuscany’s famed olive oil. Wheat flour was another expensive ingredient and so Tuscans created dishes like castagnaccio, a cake made with chestnut flour, raisins, pine nuts, orange zest and olive oil.
Dishes here have hearty, rustic flavors, well-matched to the area’s famous wines, and Florentines enjoy eating their regional cuisine in friendly, warm, informal settings.

Typically, Florentine people never start a meal from the main course but always have a starter first. Whether eating in a restaurant or at home with friends, you will always find liver crostini (thin sliced toasted bread with liver patè) on the table. Alongside liver crostini the usual antipasto also offers different types of sliced salamis and hams.

Pappardelle (similar to spaghetti, but a thicker pasta made with egg) with boar or hare sauce. It can be seasoned with other classic ingredients: porcini mushrooms, meat sauces, artichokes and sausages, etc. Other first course dishes are the soups: pappa al pomodoro, ribollita, carabaccia and black cabbage. These are all variations of a single base made from vegetables, bread and tomato.

The hills around Florence abound with game, including wild boar which is used in locally made salamis and air-dried hams. Duck and rabbit appear on the table grilled. Fish from the region’s lakes and seafood from the coastal areas appear on the table. Porcini, wild mushrooms, are another favorite served in the fall after foragers have combed the woods around the city.

Bistecca alla fiorentina (a T-bone steak) is served rare with a drizzle of Tuscan olive oil and often accompanied by white beans, roasted potatoes or a green salad. Porchetta is a suckling pig, stuffed with garlic and herbs and brushed with a rosemary branch while its roasts. Trippa alla fiorentina, tripe cooked with wine, tomatoes and herbs, is another signature dish.

Florentine desserts: cantucci (small almond biscuits) to eat at the end of a meal dipped in Vinsanto or in the colder seasons the castagnaccio, that takes its name from the nearby mountains , is a thin cake made of chestnut flour and pine nuts. During Carnival or after the Epiphany, you can find schiacciata alla fiorentina, a soft sweet, sponge cake which can be filled with cream or chocolate and covered with powdered sugar.

Sometimes Florentines like eating a sandwich in the street for lunch. In addition to steak, Florence offers other meat specialties such as tripe and lampredotto. These are foods that are eaten in kiosks on the street, even in winter.They can be seasoned with green sauce and enriched with other vegetables, such as leeks.

chicken-liver-crostini-Bourgeois

Chicken Liver Crostini

Ingredients

  • 2 tablespoons olive oil
  • 1 red onion, diced
  • 2 tablespoons capers
  • 2 anchovy fillets, chopped
  • 2 cloves garlic, sliced
  • 1 pound chicken livers, rinsed
  • 1 cup Marsala wine
  • 2 sprigs of thyme
  • Salt, pepper and red chili flakes to taste
  • 2 tablespoons butter at room temperature
  • Baguette, sliced thinly and toasted
  • Sea salt, optional

Directions

Heat the olive oil in a large skillet over low heat. Add the onions, capers and garlic and sauté just until fragrant, about 1 minute. Add the thyme, Marsala, anchovies and chicken livers. Season with salt, pepper and chili and cook until the chicken livers are just cooked through, about 5 minutes.

Remove from the heat and discard the thyme. Transfer the contents of the skillet to a food processor. Add the butter and purée until smooth. 

To serve, spread the chicken liver on toasted baguette slices and garnish with sea salt, if desired.

pappa

Pappa al Pomodoro

Many Florentine recipes make use of leftover ingredients. Pappa al Pomodoro, a thick, hearty soup made with dry bread, is one of the city’s classic dishes.

Serves four

Ingredients

  • 4–8 cloves of garlic, according to taste
  • 1 14-ounce can of plum tomatoes
  • 1 pound of dry, stale (preferably unsalted Tuscan) bread, broken into small pieces
  • 4–6 cups of water or warmed vegetable broth
  • 1 bunch (20 leaves) of basil, coarsely chopped
  • 2 tablespoons of olive oil
  • Salt and pepper
  • Half teaspoon of crushed and dried chili pepper
  • 1 leek (white flesh only), finely chopped

Directions

Place the bread in a bowl and add water or broth. Cover and put aside for at least an hour.

Sauté the garlic and leek in oil. Add dried chili pepper, the tomatoes, half the basil and a dash of salt and pepper. Simmer for 20 minutes.

Squeeze excess broth from the soaked bread and add to the oil and tomatoes. Cook for at least 15 minutes, stirring occasionally. Serve hot with remaining basil and a swirl of olive oil.

Minestra

Ribollita

Ribollita means “reboiled,” because to make this rich, thick vegetable soup correctly, it must be cooked and recooked. Ribollita appears with many variations, but the key ingredient is cavolo nero ( winter black cabbage), though kale, chard, or green and Savoy cabbage can also be used. Add zucchini, potatoes, Brussels sprouts and other vegetables according to taste.

Ingredients

  • 1 chopped onion
  • 2 cloves chopped garlic
  • 1 leek (white flesh) finely chopped
  • 3 chopped carrots
  • 3 fresh or canned peeled plum tomatoes
  • 2 cups canned white cannellini beans
  • 1 quarter cavolo nero or equivalent
  • 1 bunch Swiss chard and/or spinach
  • 1 finely chopped celery stalk and leaves
  • 4 chopped zucchini 
  • 2 peeled and cubed potatoes 
  • 1 pound stale Italian bread 
  • 4 tablespoons of tomato paste
  • Salt and pepper
  • Water
  • Olive oil
  • Oregano, rosemary and hot chili pepper as desired

Directions

Sauté the onion, leek, and garlic in a Dutch Oven in 1 tablespoon olive oil. Add carrots, celery, chili pepper and cook for ten minutes. Add tomatoes, cabbage, beans, herbs and salt and pepper to taste. Cook for 10 to 20 minutes.

Add tomato paste, zucchini, potatoes or other vegetables of choice and water to cover the ingredients. Cook gently for 90 minutes, adding water as necessary,

Chill the soup overnight. The next day purée half the mixture, return to the pot. Bring to a boil and reheat.

Ladling the soup over a thick slice of toasted dry bread and add a swirl of olive oil to each serving.

ganugi-pappardelle-gross

Pappardelle with Duck

4 servings

Ingredients

  • 1/2 pound duck breast, skin removed
  • Zest of 2 oranges
  • Zest of 1 lemon
  • 2 sprigs fresh rosemary
  • 1 bay leaf, broken into small pieces
  • 2 tablespoons olive oil
  • 1 small onion, chopped
  • 1 medium carrot, chopped
  • 1 stalk celery, chopped
  • 2 garlic cloves, minced
  • Salt and fresh ground pepper, to taste
  • Fresh rosemary
  • 1 cup red wine
  • 1 can (14 ounces) diced tomatoes
  • 2 cups chicken stock
  • 1/2 pound dried pappardelle pasta

Directions

Rub the meat with the orange zest, lemon zest, rosemary and bay leaf. Cover and refrigerate overnight. Remove the duck breast from the herbs and dice the meat.

Heat olive oil in a large saucepan over medium heat. Sauté the onion, carrot and celery until soft, about 5 to 10 minutes. Add the garlic and cook for 30 seconds.

Add the diced duck meat. Cook until the meat has changed color, about 5 to 7 minutes.

Add the red wine; cook until the alcohol has reduced and evaporated, about 2 minutes. Add the tomatoes and chicken stock. Simmer for 45-60 minutes, until the sauce is rich and thick.

Bring a large pot of water to a boil. Cook the pasta until al dente. Drain pasta and mix with the sauce to serve.

Bistecca alla Fiorentina

Traditionally, a T-bone from local Chianina beef cattle is preferred, but an ordinary T-bone (or porterhouse) can also be used.

Serves at least four

Ingredients

  • 2-pound T-bone steak, three fingers thick
  • Sea salt (coarse)

Directions

Florentines grill the meat over a very hot wood or coal, but it can also be cooked on a hot skillet or griddle.

Grill the steak, without seasoning, for three to five minutes. Florentines often grill the steak standing up on the bone for a few minutes at the end to cook around the T-bone.

The meat should be seared and crispy on the outside and red, almost raw at its heart. Allow to rest for ten minutes then cut the meat off the bone into large chunks.

Season with coarse sea salt and serve.

cake

Schiacciata Alla Fiorentina

Serves: 12 servings

Ingredients

  • 1 1/2 cups all-purpose flour
  • 1 cup sugar
  • 1 1/2 tablespoons baking powder
  • Zest and juice of 1 orange
  • 3 large eggs
  • 1/2 cup warm whole milk
  • 4 tablespoons extra-virgin olive oil
  • Powdered sugar, for topping

Directions

Preheat the oven to 360 degrees F. Spray a 9 by 13-inch baking pan with cooking spray.

Mix flour, sugar, baking powder and orange zest in a mixing bowl.

In another bowl mix orange juice, eggs, milk and oil and pour into bowl with flour.

Beat with a hand mixer until thoroughly mixed together, about 3 to 4 minutes.

Pour the batter to the greased pan and bake for about 25 minutes.

Test the cake with a toothpick inserted into the center. If it comes out clean, the cake is done.

Let cool for about 30 minutes on the counter, then turn the cake out of the baking pan. Slice and serve sprinkled with powdered sugar.

 

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Giuseppe_Verdi00

This year marks the 200th anniversary of the birth of one of the greatest Italian composers of all time. Giuseppe Verdi was responsible for some of the best operas, which are still widely known and revered today: La Traviata, Aida and Rigoletto, to name just a few. Verdi dominated the Italian opera scene after the eras of Bellini, Donizetti and Rossini. His works are frequently performed in opera houses throughout the world and some of his themes have long since taken root in popular culture.

Verdi was born to Carlo Giuseppe Verdi and Luigia Uttini in Le Roncole, a village in the province of Parma (Emilia-Romagna region) in Northern Italy. When he was still a child, Verdi’s parents moved from Le Roncole to a nearby village, Busseto, where the future composer’s education was greatly facilitated by visits to the large library belonging to the local Jesuit school. It was in Busseto that he was given his first lessons in composition. Verdi went to Milan when he was twenty to continue his studies. He took private lessons in music and voice while attending operatic performances and concerts. Eventually, he decided to pursue a career in theater composition.

After his studies, Verdi returned to Busseto, where he became the town music master and gave his first public performance at the home of Antonio Barezzi, a local merchant and music lover who had long supported Verdi’s musical ambitions. Because he loved Verdi’s music, Barezzi invited Verdi to be his daughter Margherita’s music teacher and the two soon fell deeply in love. They were married in May 1836 and Margherita gave birth to two children. Unfortunately, both died in infancy while Verdi was working on his first opera and, shortly afterwards, Margherita died of encephalitis at the age of 26. Verdi adored his wife and children and was devastated by their deaths.

His first opera, Oberto, performed at La Scala in November 1839, was successful and La Scala’s impresario, Bartolomeo Merelli, offered Verdi a contract for three more works.
It was while he was working on his second opera, Un giorno di regno, that Verdi’s wife died. The opera was a failure and he fell into despair, vowing to give up musical composition forever. However, Merelli persuaded him to write Nabucco and its opening performance in March 1842 made Verdi famous. It follows the plight of the Jews as they are assaulted, conquered and subsequently exiled from their homeland by the Babylonian King Nabucco. The historical events are used as background for a romantic and political plot. The best-known piece from the opera is the “Chorus of the Hebrew Slaves”.

A period of hard work – producing 14 operas – followed in the next fifteen years. These included I Lombardi in 1843, Ernani in 1844 and, for some, the most original and important opera that Verdi wrote, Macbeth (1847). It was Verdi’s first attempt to write an opera without a love story, breaking a basic convention of 19th-century Italian opera.

Nabucco

Nabucco

Sometime in the mid-1840s, Verdi “formed a lasting attachment to the soprano Giuseppina Strepponi who was to become his lifelong companion”. Their cohabitation before marriage was regarded as scandalous in some of the places they lived and eventually Verdi and Giuseppina married. In 1848, Verdi bought an estate two miles from Busseto. Initially, his parents lived there, but after his mother’s death in 1851, he made the Villa Verdi at Sant’Agata his home, which it remained until his death.

Rigoletto

Rigoletto

During this time, Verdi created one of his greatest masterpieces, Rigoletto, which premiered in Venice in 1851. Based on a play by Victor Hugo (Le roi s’amuse), the opera quickly became a great success. There followed the second and third of the three major operas of Verdi’s “middle period”: in 1853 Il trovatore was produced in Rome and La traviata in Venice. The latter was based on Alexandre Dumas’ play, The Lady of the Camellias, and became the most popular of all of Verdi’s operas worldwide. You can listen to the drinking song, “Brindisi” from La Traviata, in the video below performed by two of my favorite opera singers, Dame Joan Sutherland and Luciano Pavarotti.

In 1869, Verdi was asked to compose a section for a requiem mass in memory of Gioachino Rossini, as part of a collection of sections composed by other Italian contemporaries of Rossini. The requiem was compiled and completed, but was cancelled at the last minute. Five years later, Verdi reworked his “Libera Me” section of the Rossini Requiem and made it a part of his Requiem Mass, honoring the famous novelist and poet Alessandro Manzoni, who had died in 1873. The complete Requiem was first performed at the cathedral in Milan in May 1874.

Verdi’s grand opera, Aida, is sometimes thought to have been commissioned for the celebration of the opening of the Suez Canal in 1869 and there had been a plan to inaugurate an opera house as part of the canal opening festivities, but Verdi turned down an invitation to write an “ode” for the new opera house. In 1869, the organizers approached Verdi (this time with the idea of writing an opera), but he again turned them down. When they warned him that they would engage the services of Charles Gounod and Richard Wagner, Verdi began to show considerable interest and agreements were signed in June, 1870.

Aida

Aida

Teresa Stolz was associated with both Aida and the Requiem, as well as, a number of other Verdi roles. The role of Aida was written for her and she performed the opera at the European premiere in Milan in February 1872. She was also the soprano soloist in the first and in many later performances of the Requiem. After Giuseppina Strepponi’s death, Teresa Stolz became a close companion of Verdi until his death.

In 1879 the composer-poet Boito and the publisher Ricordi pleaded with Verdi to write another opera. He worked slowly on it, being occupied with revisions of earlier operas, and completed the opera seven years later. This opera, Othello, his most powerful and tragic work, a study in evil and jealousy, is notable for the increasing richness of detail in the orchestral writing. Verdi’s last opera, Falstaff, whose libretto was also by Boito, was based on Shakespeare’s Merry Wives of Windsor and Henry IV, Part 1 with Victor Hugo’s translation. It was an international success and is famous for being one of the world’s best comic operas.

Othello

Othello

While staying at the Grand Hotel et de Milan, Verdi suffered a stroke on January 21, 1901. He gradually grew more feeble and died nearly a week later. Arturo Toscanini conducted a combined orchestra and choir composed of musicians from throughout Italy at Verdi’s funeral service in Milan. To date, it remains the largest public assembly of any event in the history of Italy.

Completing 25 operas throughout his career, Verdi continues to be regarded as one of the greatest composers in history. His works are noted for their emotional intensity, tuneful melodies and dramatic characterizations. He transformed the Italian opera, with its traditional staging, old-fashioned librettos and emphasis on vocal displays, into a unified musical and dramatic entity. As Verdi matured he played with the expectations of listeners, who expected scenes to unfold in familiar patterns. Instead, he would break off an aria and transition into a charged recitative or blur distinctions between forms and styles to make the music responsive to the dramatic moment and the text. The music of Verdi, one of Italy’s most outstanding composers, makes up some of classical music’s most timeless treasures and his operas are among those most frequently produced in the world today.

Busseto's Tribute to Verdi

Busseto’s Tribute to Verdi

Emilia Romagna

Verdi lived in Busetto in the heart of the Italian province of Parma, in Emilia-Romagna. When one thinks of luxurious Italian food, it is usually classic Emilia Romagna cuisine. The area is known for its flavorful produce dishes. Bright green asparagus is served with Parmigiano Reggiano and melted butter. The sweet chestnut, known as Marrone di Castel Rio, comes from Emilia Romagna, as do porcini mushrooms. Local shallots and olive oil pressed from local olives are prized for their quality. Pasta is a favorite food in the region. While polenta, rice and gnocchi were staples in Emilia Romagna cooking, fresh egg pasta is now more popular. Most areas consider tagliatelle their favorite shape and serve it with ragù. Recipes also include tortelli, or large pasta squares, filled with ricotta and greens and served with melted butter.

In addition to the Romagnola breed of cattle, rabbit, game birds and poultry are eaten. Wild duck and tomatoes are stewed with herbs, white wine and served with risotto. Cappone ripieno, or roasted capon, is stuffed with with a marsala flavored veal and ham filling. Other popular meats include pork, lamb and mutton. Proscuitto di Parma and fresh fruit are served together for a refreshing appetizer.

Emilia is well known for Parmigiano Reggiano, but the Grana Padano and Provonole Valpadana are also extremely high quality. Cheeses are used young, while sweet, or aged to develop a sharper flavor for grating. Ravaggiolo and squaquarone are also creamy piquant cheeses used in cooking. After so many rich dishes, it’s appropriate that many Emilia Romagna desserts are based on fresh fruit. Melons, stone fruits, berries and pears are most often served.

crostini di polenta with moules

Toasted Polenta with Mussels

You can use any seafood to top the polenta. The same combination may be successfully used in bruschetta or crostini recipes.

Ingredients

  • 1 ½ cups polenta
  • 1 tablespoon olive oil
  • 1 lb mussels, steamed and removed from the shell
  • 3 cloves garlic
  • 1/2 cup white wine
  • Olive oil for brushing

For the tomato sauce:

  • 1 tablespoon olive oil
  • 1 onion
  • 3 cloves garlic
  • Fresh basil
  • 1 – 26-28 can diced Italian tomatoes
  • Salt and pepper

For the green sauce:

  • 1 cup green parsley, chopped
  • 1 clove garlic
  • 1 tablespoon capers
  • 1/4 cup pitted green olives
  • 1/4 cup extra virgin olive oil

Directions

Cook the polenta in salted water with the olive oil, in proportions according to package directions. You want a thick polenta, not thin. Pour the polenta into a loaf pan and leave it to set overnight; or for at least two hours.

The next day, cut the loaf into slices. Place the slices on a wooden board and brush with some olive oil. Next arrange the slices, oiled side down, on a greased oven rack. Brush the other side with olive oil.

Bake in 200°C/390°F oven until golden brown on top, for about 30 minutes. Then remove from the oven; let it cool.

Meanwhile prepare the mussels and sauces.

In a skillet heat the olive oil; add chopped garlic and the mussels. Then add the wine and let it cook until all liquids evaporate.

To cook the tomato sauce:

Heat the olive oil in a saucepan; add chopped onion and sauté until golden. Next add chopped garlic. Stir and sauté briefly, then add the canned tomatoes. Lower the heat and cook until the liquid evaporates and the sauce thickens.

Remove from heat and let the sauce cool slightly. Then place it in a food processor and blend with a small bunch of fresh basil, salt and pepper.

To make the green sauce:

Place all ingredients for the sauce in a food processor. Blend until fairly smooth.

Carefully remove the polenta slices from the rack and arrange on a serving platter. Top with the tomato sauce and green sauce. Then arrange the mussels on top. Serve warm.

tagliatelle

Tagliatelle with Chestnuts, Pancetta and Sage

Ingredients

  • 3 ounces pancetta (Italian unsmoked cured bacon), chopped (1 cup)
  • 1 tablespoon extra-virgin olive oil
  • 1 small onion, finely chopped
  • 4 garlic cloves, minced
  • 2 tablespoons finely chopped fresh sage
  • 8 ounces bottled peeled roasted whole chestnuts, coarsely crumbled (1 1/2 cups)
  • 8 ounces dried flat egg pasta such as tagliatelle or fettuccine
  • 2 ounces finely grated Parmigiano-Reggiano (1 cup)
  • 2 tablespoons unsalted butter
  • 1 tablespoon finely chopped fresh flat-leaf parsley

Directions
Cook pancetta in oil in a 12-inch heavy skillet over moderate heat, stirring frequently, until beginning to brown, 3 to 4 minutes. Add onion and cook, stirring frequently, 2 to 3 minutes. Add garlic, 1 tablespoon sage and cook, stirring, 1 minute. Stir in chestnuts and remove from heat.

Cook pasta in a 6- to 8-quart pot of boiling salted water according to package directions. Reserve 1 cup of pasta cooking water, then drain pasta in a colander and add to the pancetta mixture in the skillet. Add the reserved cooking water along withthe  cheese and butter and cook, tossing constantly, over high heat until pasta is well coated, about 1 minute. Add salt and pepper to taste and serve sprinkled with parsley and remaining tablespoon sage.

parma pork

Pork Tenderloin Prosciutto Parma

Serve with broccoli rabe. Try to purchase authentic Italian Prosciutto di Parma and Parmigiano-Reggiano for this dish—even though it is more costly, the superior flavor is worth the expense.

10 servings

Ingredients

  • 2 teaspoons fresh sage, finely chopped
  • 1 1/2 teaspoons minced garlic
  • 1 teaspoon fresh rosemary, finely chopped
  • 1 teaspoon kosher salt
  • 1 teaspoon freshly ground pepper
  • 2 pork tenderloins, (1-1 1/4 pounds each), trimmed
  • 4 thin slices Italian Parma ham, (Prosciutto di Parma), divided
  • 1 cup freshly grated Parmigiano-Reggiano cheese, divided
  • 3 teaspoons extra-virgin olive oil, divided

Directions

Combine sage, garlic, rosemary, salt and pepper in a small bowl. Set aside.
Preheat oven to 450°F.

Butterfly the tenderloins, so they can be flattened, stuffed and rolled. To do that, make two long horizontal cuts, one on each side, dividing the tenderloin in thirds without cutting all the way through. Working with one tenderloin at a time, lay it on a cutting board. Holding the knife blade flat, so it’s parallel to the board, make a lengthwise cut into the side of the tenderloin one-third of the way down from the top, stopping short of the opposite edge so that the flaps remain attached. Rotate the tenderloin 180°. Still holding the knife parallel to the cutting board, make a lengthwise cut into the side opposite the original cut, starting two-thirds of the way down from the top of the tenderloin and taking care not to cut all the way through. Open up the 2 cuts so you have a large rectangle of meat. Use the heel of your hand to gently flatten the meat to about 1/2 inch thick.

Cover each butterflied tenderloin with 2 of the prosciutto slices, then spread 1/2 cup Parmigiano-Reggiano over the ham, leaving a 1-inch border. Starting with a long side, roll up each tenderloin so the stuffing is in a spiral pattern; then tie the roasts at 2-inch intervals with kitchen string.

Lightly brush the roasts all over with 1 1/2 teaspoons oil, then rub with the reserved herb mixture. Heat the remaining 1 1/2 teaspoons oil in a large, heavy, ovenproof skillet over medium-high heat. Add the roasts, bending to fit if necessary, and cook, turning often, until the outsides are browned, 3 to 5 minutes total.

Transfer the pan to the oven and roast, checking often, until the internal temperature reaches 145°F, 15 to 20 minutes. Transfer to a cutting board, tent with foil and let rest for 5 minutes. To serve, remove the string and cut the pork into 1-inch-thick slices.

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676142901_1388825053Whether it’s a partner or a family member with different eating styles and preferences, conflict can arise on various fronts when some people in the house are vegetarians and others are not. The good news: with a little patience and compromise, not to mention good humor, it is possible for everyone to enjoy meals together. Setting ground rules in advance can ward off many disagreements in the kitchen. In particular, deciding who is responsible for what can help prevent resentment and ensure things run more smoothly when it comes time for food preparation.

  • Will a group meal be prepared that everyone will share?
  • How does the vegetarian feel about preparing and cooking meat even if he or she doesn’t eat it?
  • Will the non-vegetarian prepare vegetarian meals?
  • Is it simplest for each person to be responsible for their own cooking?

There is no one correct answer and it may take some time to work out the best system. As far as meals are concerned, vegetarian and non-vegetarian options can be blended without making the division obvious. Here are a few suggestions for minimizing the differences and increasing the joy of eating together:

  • The non-vegetarian partner should agree to expand his/her food horizons and try new vegetables, grains and protein sources.
  • Find as many dishes as possible that also work for your partner.
  • The vegetarian partner should tolerate having the non-vegetarian cook meat, chicken or fish in the family kitchen. Have pots and dishes just for that, if it’s an issue.
  • At the same time, the vegetarian shouldn’t be expected to cook meat, unless he/she doesn’t mind.
  • Freeze individual portions of each partner’s favorite dishes to eat when time is short or you can’t agree.
  • Never make negative remarks about what the other wants to eat. Don’t try to convert the other to your point of view or even think that this would be a good thing. It never is.

c3beee859a008720a2caeb7d4119c803

Types of Vegetarians

  • A vegetarian eats no meat, poultry or fish.
  • An ovo-lacto vegetarian eats eggs and milk.
  • A lacto-vegetarian eats dairy products, but not eggs.
  • A vegan eats no animal products at all, often including honey. There are strict ethical vegans who don’t wear or use any animal product.
  • Raw food devotees are vegan.
  • A pesco-vegetarian (eats fish) isn’t vegetarian, because fish is considered an animal product.
  • Flexitarian is a made up term for one who flips back and forth from vegetarian to non-vegetarian.

When entertaining think about the likely food preferences of those you’re feeding. Ask about likes and dislikes, as you would with any other guest. Stick with familiar foods, when feeding both vegetarians and non-vegetarians at the same meal.

Here are some suggestions:

Serve egg or cheese based dishes, such as a Spinach Quiche. Good accompanied with baked potato and a salad. Chickpeas and kidney beans are familiar enough to be used in small amounts. Add them to dishes that are well-known – such as three-bean salad, pasta salad, minestrone soup or vegetarian chili. Use familiar comfort foods, such as potatoes, breads or pasta. Familiar ethnic foods work well: Mexican, Indian or Italian. Whenever possible, tell your guests in advance what you’re planning to make and ask them for suggestions, if you feel comfortable with that idea.

Breakfast may be one of the easier meals to accommodate vegetarians and non-vegetarians, so inviting friends for brunch may be an ideal way to entertain. There are many breakfast options that do not contain meat, such as oatmeal, yogurt, granola, fruit, coffee cake, pancakes or waffles that can be enjoyed by both vegetarians and non-vegetarians. For a larger breakfast, eggs or omelets can be eaten by everyone, except vegans. For the non-vegetarians, bacon or sausage can easily be added to the meal as a side.

For vegetarians, sandwiches made with vegetables and cheese can provide an alternative to deli meats, while non-vegetarians can add sliced turkey, beef or chicken to their sandwiches. Soups can be made with vegetable broth instead of chicken or beef broth. Cooked chicken, fish or beef can be added to the non-vegetarian soup just before serving. Salads are also lunch options that are easy to make vegetarian by replacing meat or fish with beans or hard-boiled eggs. Dinner pasta or rice recipes made with vegetables are easily prepared dishes where meat or fish can be added for family members that are not vegetarians.

The situation in my family is easy. The vegetarians are not vegan. They just do not eat animal protein and they don’t get upset if it is on the table. My typical approach is that I make the same foods the non-vegetarians are eating minus the animal protein part for the vegetarians. It is a two-in-one system. Two versions of the same dish, one vegetarian and one non-vegetarian. Here are some of the recipes that work in our family.

split pea soup

Split Pea Soup

Corn chowder is another great option. Serve crumbled bacon on the side as a garnish.

4-6 servings

Ingredient

  • 2 cups dry split peas, rinsed
  • 8 cups vegetable stock
  • 1 large potato, peeled and diced
  • 1 large onion (2 cups), diced
  • 1 carrot, diced
  • 1 celery stalk, diced
  • 2 tablespoons olive oil
  • 3 cloves garlic, minced
  • 1 teaspoon rosemary, minced
  • 1 teaspoon salt
  • 2 teaspoons pepper
  • 1 pound cooked ham steak, diced and heated

Directions
Sauté the onion, celery and carrot in olive oil in a Dutch oven for about 10 minutes, until the onions translucent. Add the potato, garlic and rosemary and sauté for another 5 minutes.
Add the split peas, vegetable stock, salt and pepper and bring to a boil. Lower heat and cook, partially covered, for another 40 minutes or so until the peas are very soft and falling apart.
Serve the warmed ham in a separate bowl for non-vegetarians to add to their soup bowls.

cabbageroll

Stuffed Cabbage

4 servings

Ingredients

Cabbage & Filling

  • 1 cup water
  • 1/2 cup short-grain brown rice
  • 1 teaspoon extra-virgin olive oil plus 2 tablespoons, divided
  • 1 large Savoy cabbage (2-3 pounds)
  • 1 pound baby bella mushrooms, finely chopped
  • 1 large onion, finely chopped
  • 4 cloves garlic, minced
  • 1/2 teaspoon dried rubbed sage
  • 1/2 teaspoon crumbled dried rosemary
  • 1/2 teaspoon salt, divided
  • 1/2 teaspoon freshly ground pepper, divided
  • 1/2 cup red wine
  • 1/4 cup dried currants
  • 1/3 cup toasted pine nuts, chopped
  • 6-8 ounces (2 links) sweet turkey or pork Italian sausage, casing removed
  • Olive oil for drizzling over the cabbage rolls
  • Chopped parsley

Tomato Sauce

  • 1 tablespoons extra-virgin olive oil
  • 1 small onion, chopped
  • 2 cloves garlic, minced
  • 1/2 teaspoon salt
  • 1/4 teaspoon freshly ground pepper
  • 1 28-ounce can no-salt-added crushed tomatoes 
  • 1/2 cup red wine

Directions

To prepare the rice:

Combine water, rice and 1 teaspoon oil in a medium saucepan; bring to a boil. Reduce heat to maintain the barest simmer, cover and cook until the water is absorbed and the rice is just tender, 40 to 50 minutes. Transfer to a large bowl and set aside.

To prepare the cabbage:

Half fill a large pot with water and bring to a boil.
Line a baking sheet with a clean kitchen towel and place near the stove.
Using a small, sharp knife, remove the core from the bottom of the cabbage. Add the whole cabbage to the boiling water and cook for 5 minutes. As the leaves soften, use tongs to gently remove 8 large outer leaves. Transfer the leaves to the toel lined baking sheet and pat with more towels to thoroughly dry. Set aside.
Drain the remaining cabbage in a colander for a few minutes. Finely chop enough to make 1 1/2 cups. (Save any remaining cabbage for another use. I place the remaining cabbage in the freezer to save for a soup recipe.)

To prepare the filling:

Heat 1 tablespoon oil in a large skillet over medium-high heat. Add mushrooms, onion, garlic, sage, rosemary and 1/4 teaspoon each salt and pepper; cook, stirring, until the mushrooms have released their juices and the pan is fairly dry, 8 to 10 minutes. Add wine and cook, stirring, until evaporated, about 3 minutes more. Add the mushroom mixture to the cooked rice along with currants and pine nuts.
Heat the remaining tablespoon of oil in the same skillet over medium-high. Add the chopped cabbage, the remaining salt and pepper; cook, stirring, until the cabbage is wilted and just beginning to brown, 3 to 5 minutes. Set aside in a separate bowl.
Add the sausage to the empty skillet and brown. Set aside in a separate bowl.

To prepare the sauce:

Heat 1 tablespoon oil in a large saucepan over medium heat. Add onion, garlic, salt and pepper and cook, stirring, until starting to soften, 2 to 4 minutes. Add tomatoes and wine; bring to a simmer and cook until slightly thickened, about 10 minutes.
Preheat oven to 375°F.
Coat two 8-inch baking dishes with olive oil cooking spray. Place a ½ cup of tomato sauce in each baking dish.

To stuff the cabbage:

Divide the rice mixture in half. To one half add the sautéed cabbage and to the other half add the browned sausage.

For the vegetarian rolls:

Place a reserved cabbage leaf on a cutting board; cut out the thick stem in the center, keeping the leaf intact. Repeat with three more cabbage leaves.
Evenly divide the cabbage/ rice mixture among the four leaves. Fold both sides of the cabbage over the filling and roll up. Repeat with the remaining 3 leaves and filling. Place the stuffed cabbage rolls, seam side down in one baking dish.

For the non-vegetarian rolls:

Place a reserved cabbage leaf on a cutting board; cut out the thick stem in the center, keeping the leaf intact. Repeat with three more cabbage leaves.
Evenly divide the sausage/ rice mixture among the four leaves. Fold both sides of the cabbage over the filling and roll up. Repeat with the remaining 3 leaves and filling. Place the stuffed cabbage rolls, seam side down in the other baking dish.

Pour the remaining sauce evenly over the rolls in both pans. Drizzle a little olive oil over the top of the cabbage rolls in each pan. Sprinkle the chopped parsley over the tops of the vegetarian rolls, so you will know they are the vegetarian rolls when serving. Bake, uncovered, basting twice with the sauce, until hot, about 45 minutes.

pasta-primavera-ay-1875565-l

Pasta Primavera with Chicken

4 servings

Ingredients

For the chicken:

  • 1 bone-in, skin-on chicken breast, 1 to 1 1/2 pounds
  • 1 medium onion, cut into quarters
  • 1 small lemon, sliced
  • 1 carrot, cut into quarters
  • 2 ribs celery, cut into quarters
  • 2 large bay leaves
  • Small bunch of each – parsley, thyme and rosemary – tied together with kitchen twine

For the Primavera:

  • 1 tablespoon extra virgin olive oil
  • 1 tablespoon butter
  • 2 small or 1 large carrot, peeled and cut into 2-inch matchsticks
  • 1 small zucchini, trimmed and cut into 2-inch matchsticks
  • 1 large leek, trimmed, halved lengthwise and thinly sliced on an angle, washed and dried
  • 3 cloves garlic, chopped
  • Salt and white pepper
  • 3 tablespoons all-purpose of instant flour
  • 1/2 cup dry white wine
  • Water
  • 2 1/2 cups vegetable broth
  • 1 10 oz box frozen peas, defrosted
  • 1 pound egg tagliatelle or fettuccine
  • A handful of parsley, thyme leaves and rosemary, very finely chopped
  • 1 lemon
  • Grated Parmigiano-Reggiano cheese

Directions

To poach the chicken:

Place chicken, onion, lemon, carrot, celery, bay and herb bundle in a medium saucepan, cover chicken with water and bring to a boil. Once boiling, reduce heat and simmer 45 minutes. Strain and reserve a 1/2 cup of the poaching liquid. Save remaining broth for another use. Cool chicken and remove the skin and bones. Slice the chicken into serving pieces, place in a serving bowl, cover and keep warm

For the pasta sauce:

Heat oil with the butter over medium heat in the same pan. Add carrots, zucchini, leeks and garlic, season with salt and white pepper and sauté until tender, 6-7 minutes. Sprinkle veggies with flour and stir a minute more. Deglaze the pan with the wine, then stir in 2 cups of the vegetable broth. Cook until the sauce thickens. Stir in the peas and reduce the heat to low.

Bring a pot of water to a boil for the pasta. Add salt and cook the pasta to the al dente stage and drain. Add the Primavera sauce to the pasta along with the remaining 1/2 cup vegetable broth.

Gremolata-zest the lemon and combine it with the finely chopped herbs.
Serve the pasta in shallow bowls topped with some of the gremolata and some grated cheese.

Heat the remaining 1/2 cup of chicken poaching broth and pour it over the sliced chicken. Serve the chicken to non-vegetarians to add to their pasta bowl.

beef skewers

vegetable skewers

shrimp skewers

Grilled Beef Sirloin & Shrimp & Farmer’s Market Skewers

I like to serve this dish with a brown and wild rice mix and a tomato salad. You can use any combination of vegetables that you like and that your vegetarian friends or family like.

Ingredients

Mustard-Thyme Glaze

  • 4 tablespoons Dijon-style mustard
  • 4 tablespoons apricot preserves
  • 1 tablespoon olive oil
  • 2 teaspoons lemon juice
  • 1 teaspoon dried thyme
  • 1 teaspoon pepper

Skewers

  • 1 lb top sirloin steak, grass-fed if possible, cut into 1 inch cubes
  • 1 lb extra-large shrimp, peeled and deveined
  • 2 medium yellow squash, cut into 1-inch cubes
  • 2 medium zucchini, cut into 1-inch cubes
  • 1 thin eggplant, cut into 1-inch cubes
  • 1 red bell pepper, cut into 1 inch squares
  • 1 large onion, cut into 1-inch thick wedges
  • 12 medium mushrooms

Directions

Combine glaze ingredients in a large glass measure. Microwave on HIGH 45-60 seconds, stirring once until bubbly.

Place the vegetables on one platter, the shrimp on another platter and the beef on another platter.

Lightly brush some of the glaze on all sides of the vegetables. Wash or change to another pastry brush and lightly brush the steak and shrimp with the remaining glaze.

Heat an outdoor grill and oil the grill grates.

Thread vegetables, beef and shrimp, separately, onto 12-inch metal skewers.

Place beef skewers on the grill over medium heat. Grill steak, 12-15 minutes for medium rare to medium, turning occasionally.

Grill vegetables skewers for 10 minutes or until the vegetables are until tender. Grill the shrimp just until they turn pink, turn and grill until the second side is pink.

Serve the grilled vegetables on one platter and the shrimp and beef on another platter.

veggie-cartoon

 

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005

San Sperate has a very ancient history. Recent archaeological excavations have dated the first settlements to the Bronze Age. Following the period of Punic rule in Sardinia, the villages in the San Sperate basin came under Carthaginian rule and four cemeteries from this period have been found. Roman occupation in 238 BC can be documented and the parish church dates to the XVI century. This small village in Sardinia, not far from Cagliari, is known for the “Paese Museo” (Museum Village) and its artistic features. It is a village of murals with more than 300 large wall paintings. Painting the walls of its houses was begun by a local artist, Pinuccio Sciola. In 1968, in the wake of a youth protest movement, Sciola had the idea of turning the village into an open-air “museum village”.  The idea was taken up by other artists such as Foiso Fois, Liliana Canu, Primo Pantoli, Giorgio Princivalle, Gaetano Brundu, Nando Pintus, Giovanni Thermes and Franco Putzolu. They came to San Sperate to add their own different styles and techniques. The result ranged from trompe l’oeil windows, balconies and lines of washing hung out to dry to historic scenes and copies of famous works of art.

Pino-Sciola-in-his-open-air-museum-CU

Pinuccio Sciola

Sciola is also Sardinia’s best known sculptor and there are examples of his work carved from the local stone. His stone sculptures are the living testimony of the art of San Sperate. Limestones and basalts are the materials mainly used by Sciola. He makes a “kind of wound” in each stone, so that the energy of the stone is taken out. His large sculptures resonate when rubbed by human hands or small rocks. However, you can’t image how amazing it is listening to Sciola’s stones, so instead of imagining, you can hear these stones in a documentary about this fascinating artist and his work by playing the video link below:

The murals depict how life was in San Sperate one hundred years ago. They are creations of a changing farming culture with themes of rural life (work in the fields and scenes from the village) in an urban space made more significant by the display of traditional implements, such as olive oil mills, wheat grinding mills, stone tubs, basins and by rows of orange and lemon trees. A Picasso-esque house wall of colorful images and a wall painted to resemble a space for hanging agricultural tools (painted so realistically with shadows that they look ready to be unhooked and used) are just two of the vivid images depicted in the town. There are also curiosities, like a house which appears to be wrapped in paper with a corner torn off or painted groups of people chatting in front of arcades or abstract patterns. Here are a few photos of the murals:

004 Living art gallery san_sperate (21) san_sperate (49) sansperate sansperate1 sansperate2 sansperate3 Sardinia_SanSperate_Murales2-736009

One artist from the Renaissance period, Piero della Francesca, must have been popular because there are several copies of his most famous paintings scattered throughout the village, including one next to a bakery that has an image of a single oven on its wall.

The murals covering the brick walls of the village houses brought this small village into the limelight, attracting Italian and foreign artists wishing to experiment with mural painting and other forms of art expression. This attraction also created a platform for local artists: in sculpture – Sergio Caddeo, Giuseppe Lasio, Gianfranco Pinna, Romano Porcu, Eva Schirru and Lucio Schirru; in painting –  Monica Corda, Erminluca Maccioni and Raffaele Muscas; in miniature art –  Ignazio Casti; in ceramics –  Giampaolo Mameli; in murals –  Angelo Pilloni and in street art –  Manu Invisible. (Source: Italy Magazine)

Sardinian Recipes

xSardinia

Sardinian food ranges from soups and stews, seafood, freshly baked breads, olives and wine to roasted lamb, sheep’s milk cheeses and pastries.

BEAN-FENNEL-AND-POTATOES-SOUPM-RECIPE

Bean, Fennel and Potato Soup

Ingredients

  • 2/3 pound (300 g) fresh fava beans or dried cannellini beans
  • 2 fennel bulbs, fronds (feathery tops) only
  • 1/2 pound (250 g) potatoes
  • 1/2 pound (225 g) plum tomatoes or canned italian tomatoes
  • 1/3 pound (150 g) dry short pasta (ditalini)
  • A ham bone
  • 1/4 cup olive oil
  • Freshly grated Pecorino Sardo (in its absence use Pecorino Toscano or a mixture of Pecorino Romano and Parmigiano.)
  • Salt and pepper to taste

Directions

Rinse the fennel fronds, pat them dry and chop them. Save the fennel bulbs for another recipe. Peel and dice the potatoes. Blanch, peel, seed, chop and drain the tomatoes.

Heat the oil in a soup pot, sauté the tomatoes for a minute and as soon as they begin to wilt add the beans, fennel, potatoes and ham. Add 2 1/2 quarts (2.5 l) of water, cover, and simmer for at least two hours.

Remove the ham bone and stir in the pasta. Continue to simmer, stirring occasionally, until the pasta is cooked. Serve with grated pecorino on the side.bonelessleglamb

Sardinian Stuffed Leg of Lamb

Ingredients:

  • A boneless leg of lamb, weighing about 4 1/2 pounds (2 k)
  • 3/4 pound (110 g) Italian mild sausage, casing removed and crumbled
  • 3 eggs
  • 1/3 cup (50 g) dry bread crumbs
  • 1 2/3 pounds (750 g) plum tomatoes, blanched, peeled, seeded and chopped — canned tomatoes will also work
  • 2 cloves garlic, minced
  • A large bunch parsley, minced
  • A medium onion, peeled and minced
  • 2 tablespoons olive oil
  • Salt and pepper to taste
  • Butcher’s twine

Directions

Heat the olive oil in a saucepan or Dutch oven large enough to contain the leg of lamb and sauté the minced garlic, parsley and onion until the onion is translucent. Remove the mixture from the saucepan to a bowl with a slotted spoon, leaving the pan drippings behind. When the onion mixture has cooled, mix it with the sausage, eggs and bread crumbs. Season with salt and pepper. Spread the mixture over the inside of the leg of lamb. Roll the leg up tightly and tie it with twine.

Reheat the pan drippings in the saucepan and brown the meat, turning it to brown all sides. Add the tomatoes, crumbling them between your fingers, add enough water to reach part-way up the sides of the pot and simmer gently for an hour or until the meat is quite tender.

When the meat is done, remove it from the pot. Remove and discard the string, slice the meat and arrange the pieces on a warmed platter. Spoon the sauce over the meat and serve at once.

ciambellone-ok

Saffron Ring Cake

Ingredients

  • 12 ounces (300 g) ricotta
  • 2 1/2 cups (300 g) flour
  • 1 1/4 cups (250 g) sugar, plus extra for the top of the cake
  • 3 eggs
  • The grated zest of an orange
  • The grated zest of a lemon
  • 1 1/2 teaspoons baking powder
  • A big pinch of saffron

Directions

Preheat the oven to 380 degrees F (190 C).

Squeeze the orange, warm the juice slightly and dissolve the saffron in it.

Mash the ricotta with the tines of a fork, mixing until it is creamy in texture and combine it with the sugar, grated orange and lemon zest, eggs and half the orange juice mixed with saffron. Mix well, fold in the flour and baking powder and then pour the batter into a floured ring mold baking pan.

Brush the surface of the cake with the remaining orange juice, sprinkle with sugar and bake until it begins to pull away from the sides of the pan and a toothpick inserted into the center comes out dry, about 40 minutes, but check before then.

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eggplant

Eggplant has been vastly under-used by the American public. Today, thanks to Asian and Southern European influences, it is finding its way into more and more dishes. It is a good meat substitute which also makes it attractive to vegetarians. Eggplant actually has a bland flavor, but it soaks up flavors of accompanying foods, herbs and spices like a sponge. The eggplant is considered a vegetable but is botanically a fruit. Early varieties of eggplant were smaller and white, resembling eggs, hence the name.

How to Buy Eggplant

Eggplants come in all shapes, from small, round fruits (about two inches in diameter) to the popular large oblong Black Beauty variety, which can range up to 12 inches long. Japanese eggplant is long and thin, resembling zucchini and has fewer seeds. The seeds are edible in all varieties. Eggplant colors range from white to lavender to dark purplish-black as well as pale green, yellow and reddish. There are even some striped varieties. Eggplant varieties may be used interchangeably in your recipes. When shopping, choose eggplants with smooth, shiny skin, heavy for their size and free of blemishes, tan patches or bruises. Wrinkled, loose skin is an indication of age and the fruit will be bitter. Smaller eggplants have fewer seeds, thinner skin and tend to be sweeter, more tender and less bitter. Press your finger lightly against the skin. If it leaves a light imprint, it is ripe. If it is soft, it is too old.

How to Store Eggplant

Eggplant is quite perishable and will not store long. Depending on the freshness factor of the eggplant at the time of purchase, it may be refrigerated for up to 4 days (up to 7 days if you pick right from the garden). However, it is best to use them as soon as possible, preferably within a day.

Handle eggplants carefully as they bruise easily. Wrap each in a paper towel and place in a perforated plastic bag before storing in the refrigerator vegetable bin. Do not store eggplant at temperatures less than 50 degrees F (10 degrees C).

Cooked eggplant may be refrigerated up to 3 days (it will get mushy when reheated) or frozen up to 6 months in a puree form. It holds up fairly well in chunks in soups and stews when thawed in the refrigerator, but not as chunks on its own. I have had great success in freezing breaded, oven baked eggplant slices to use in future eggplant parmesan recipes. I freeze them in single layer packages and pull out what I need for a casserole.

Cooking Tips

Eggplant skin is edible. However, some find it bitter.

The flesh is very sponge-like and will soak up juices and oils. Coat slices with flour, beaten egg and bread crumbs to avoid soaking up too much oil. Let breaded patties dry for half an hour in the refrigerator before cooking.

Parboiling slices for 1 to 2 minutes can also help reduce eggplant’s absorbancy, while ridding it of moisture. Be sure to thoroughly drain and pat dry with paper towels before further cooking.

Once cut, eggplant flesh will begin to darken with exposure to air. A brushing of lemon juice will help keep the flesh from darkening.

Do not use aluminum cookware with eggplant as it will cause discoloration.

salting

Some cooks salt cut eggplant and let it sit for up to an hour to leach out water and bitterness before cooking. In general, it’s not necessary to salt smaller eggplants, since they have fewer seeds than larger eggplants. Larger eggplants tend to become soft when cooked, so salting them before cooking leads to a firmer cooked texture. Bitterness is concentrated just under the skin, so peeling will also work on especially large eggplants.

Here are the directions, if you choose salting. Slice the eggplant according to your recipe and generously season the slices with kosher salt. Let them sit until you can see the liquid coming to the surface, 20-30 minutes (see photo above). Rinse the slices well and pat them dry. It’s also a good idea to use half as much salt as the recipe calls for (unless the recipe takes into account the fact that the eggplant has been salted).

Eggplant may be microwaved to remove excess water. Microwave slices on high for 4 to 6 minutes, remove, cover and let stand for a minute or two. Use paper towels and press lightly to soak up the water.

If you are baking a whole eggplant, be sure to puncture the skin in several places so it does not burst.

Add eggplant to soups and stews during the last 10 minutes of cooking to avoid overcooking.

Eggplant Measures and Equivalents

• 1 medium eggplant = about 1 pound.

• 1 medium eggplant = 4 to 6 servings.

• 1 pound eggplant = 3 to 4 cups diced.

• 1 serving = 1/3 pound as a side dish.

• 1 serving = 1/2 to 3/4 pound as a main dish.

linguine

Linguine with Eggplant 

8 servings

Sauce

  • 1 tablespoon olive oil
  • 1 small onion, finely chopped
  • 1 clove garlic, finely chopped
  • 1 celery stalk, finely chopped
  • 1 carrot, peeled and finely chopped
  • 32 oz canned crushed tomatoes
  • 1 bay leaf

Pasta

  • 1 pound linguine pasta
  • 3 thin eggplants, peeled and cubed
  • 1/2 cup sun-dried tomatoes in olive oil, cut into strips
  • 3 tablespoons oil from the sun-dried tomato jar
  • 8 oz fresh mozzarella cheese, cubed
  • 1/2 cup fresh basil, chopped
  • 3/4 teaspoon Kosher salt
  • 3/4 teaspoon black pepper, freshly ground
  • 1/2 cup grated Parmesan cheese
  • Crushed red pepper to taste

Directions

For the sauce:

Heat the 1 tablespoon olive oil in a large pot over medium-high heat. Add onions and garlic and sauté until onions are translucent, about 10 minutes. Add celery, carrots and 1/4 teaspoon each salt and pepper. Saute until all the vegetables are soft, about 10 more minutes. Add tomatoes and bay leaf and simmer, uncovered, over low heat until the sauce thickens, about 1 hour. Remove and discard the bay leaf.

For the pasta:

Bring a large pot of salted water to a boil over high heat. Add the pasta and cook, stirring occasionally, until tender but still firm to the bite, about 8 minutes. Drain.

Meanwhile, heat oil from the sun-dried tomato jar in a large, heavy skillet over medium heat. Add the diced eggplant and cook, stirring occasionally, until golden, about 6 minutes. Add the sun-dried tomatoes and the marinara sauce and cook until heated through, about 5 minutes. Add the cooked pasta to the tomato sauce and stir to combine. Turn off the heat and add the mozzarella cheese, basil, salt and pepper.

Serve in shallow pasta bowls, topped with Parmesan cheese and crushed red pepper, if desired.

Grilled-vegetable-goat-cheese-pizza-606x455

Flatbread Topped With Grilled Vegetables

Dough

  • 3 cups Italian-Style Flour (00) or other low-protein flour
  • 1 teaspoon Italian seasoning
  • 1 1/4 teaspoons salt
  • 2 teaspoons sugar
  • 3/4 cup lukewarm water
  • 2 tablespoons olive oil
  • 2 teaspoons instant yeast

Topping

  • 3 tablespoons olive oil mixed with 2 minced garlic cloves
  • 1/4 cup prepared pesto
  • 1 eggplant (about 1 pound), cut into 1/4 inch thick rounds
  • 1 roasted red pepper, cut into 1/4 inch rings
  • 1 large tomato, sliced into 1/4 inch rings
  • 1 cup crumbled feta cheese
  • Fresh basil leaves, optional

Directions

For the dough:

Mix and knead all of the ingredients — by hand or mixer — to make a soft, supple dough. Place the dough in a lightly greased bowl, cover, and let rest for 15 minutes.

To grill the vegetables:

Heat an outdoor grill and oil the grill grates.

Brush a thin coating of the garlic oil onto each side of the eggplant rounds and sprinkle with salt and pepper. Place the eggplant rounds on the grill and cook for 5 minutes or until you see well-defined grill marks. Turn the rounds over and cook for another 3 to 5 minutes to achieve the same grill marks. Add the pepper and tomato slices, coated with garlic oil, during the last 2 minutes of grilling. Transfer to a plate until you’re ready to top the flatbreads.

To grill the flatbread:

Divide the dough in half. Place each half on a lightly greased sheet of parchment paper and stretch into 1/4″-thick irregular ovals. Flip one piece of dough from the greased parchment onto the heated grill. Cook for 2 to 3 minutes, until you see well-defined grill marks; then turn over.

Spread half the pesto onto the grilled side of the crust. Top with the grilled eggplant, peppers, tomatoes and cheese. Close the grill and cook 2 to 3 minutes longer, then transfer to a serving plate. Repeat with the second piece of dough.

Garnish flatbreads with basil leaves, if desired, and serve warm.

Yield: 2 flatbreads

To make the flatbread in the oven:

Preheat your oven to 450°F (with or without a baking stone). One at a time, place the rolled-out pieces of dough with their parchment directly onto a preheated pizza stone or onto a baking sheet. Bake until the dough is just starting to brown around the edges, about 4 minutes.

Grill vegetable slices on a stove top grill following directions above.

Remove crust from the oven, add toppings and bake for an additional 6 minutes, or until the pizzas are warm and bubbly.

stuffed eggplant

Italian Sausage Stuffed Eggplant

Servings 2

Ingredients

  • 1/2 lb Italian sausage, casing removed
  • 1 onion, chopped
  • 3 cloves garlic, minced
  • Pinch salt
  • 1/4 cup finely chopped fresh parsley
  • 1 tablespoon dried basil
  • 1 teaspoon dried thyme
  • 1/4 teaspoon marjoram
  • 1/4 teaspoon cayenne
  • 1/2 cup plus 2 tablespoons shredded mozzarella
  • 1/2 cup plus 2 tablespoons Parmesan cheese
  • 1/4 cup Italian seasoned bread crumbs
  • 1 egg, beaten
  • 1 eggplant, cut in half and flesh scooped out and chopped
  • 2 plum tomatoes, diced
  • Salt & pepper to taste
  • 2 tablespoons olive oil

Directions:

Preheat the oven to 350 degrees F. Heat a large skillet over medium heat and add sausage. Cook until browned, 8-10 minutes, breaking up sausage into pieces. Remove sausage from pan, drain on paper towels and set aside in a mixing bowl.

To the same skillet, add olive oil, onion and garlic. Cook until almost tender, 3-5 minutes. Add eggplant flesh and salt; cook until browned. Remove from heat and transfer to the bowl with the sausage. Add parsley, chopped tomato, basil, thyme, marjoram, cayenne, the half cup mozzarella and the half cup Parmesan cheese, bread crumbs, egg and salt and pepper to taste.

Stir to blend mixture evenly, then stuff into eggplant halves. Place stuffed eggplant on a baking sheet, top with remaining cheeses. Bake 45-50 minutes until tender.

eggplant balls

Eggplant Balls

I often make these for parties and they are a big hit with my vegetarian and non-vegetarian friends.

Makes about 15

Ingredients

  • 3 cloves garlic, minced
  • 2 tablespoons onion, finely minced
  • 1/2 cup grated Parmesan cheese
  • 3/4 cup finely chopped fresh parsley
  • 1 egg, beaten
  • Salt and pepper to taste
  • 1 1/4 cups dried Italian seasoned bread crumbs, divided
  • Olive oil cooking spray
  • Marinara sauce for serving

Directions

Preheat the oven to 350°F. Prick the eggplant all over with a fork and place on a baking pan. Roast in the center of the oven for 1 hour, until very soft and collapsed. Let cool slightly, then scrape the eggplant flesh into a large mixing bowl and let cool completely. Discard the skin.

Mix the cheese, onion, garlic, parsley, egg, salt, pepper and 1 cup of the bread crumbs into eggplant pulp. Stir with a wooden spoon or your hands until ingredients are thoroughly combined and mixture holds together.

Refrigerate mixture for 15 minutes, then roll into balls. Roll the outside of the balls in the ¼ cup remaining bread crumbs. Spray a baking sheet with cooking spray. Place eggplant balls on prepared baking sheet and spray with olive oil cooking spray. Bake for 30 minutes turning once until nicely browned. Serve with warm marinara sauce, if desired.

eggplant fries

Baked Eggplant Fries with Lemon Sauce

Makes 4 servings

  • 1/2 cup all-purpose flour
  • 1/2 teaspoon each salt and pepper
  • 1 cup Italian seasoned panko bread crumbs
  • 1/2 teaspoon crushed red pepper flakes
  • 1/4 teaspoon garlic powder
  • 1/4 teaspoon paprika
  • 1 egg
  • 1 tablespoon milk
  • 1 medium eggplant, cut into thin strips (peeled, if you choose)
  • Olive oil cooking spray

Directions

Heat oven to 450°F.  Line a baking sheet (cookie) pan with parchment paper or a silicone baking mat. Spray with olive oil cooking spray.

In a shallow bowl mix flour with salt and pepper. In another shallow bowl, beat egg with milk. In another shallow bowl, mix panko crumbs, crushed pepper flakes, garlic powder and paprika.

Dip eggplant strips into flour coating all sides; shake off excess. Dip in egg mixture. Roll in bread crumb mixture until coated. Place on prepared baking pan. Spray with olive oil cooking spray.

Bake about 20 minutes, turning once, or until coating is crisp and lightly golden.

For Lemon Sauce

  • 1 cup plain yogurt
  • 2 cloves garlic, minced
  • 2 tablespoons lemon juice
  • 1 tablespoon chopped chives
  • Salt and fresh black pepper to taste

Combine all ingredients in a medium-sized bowl. Place in the refrigerator for 1 hour to chill and allow flavors to combine.

To My Readers:

I have added a feature called My Taste ( http://www.mytaste.com/) that will allow you to create cookbooks, save recipes and follow other users.  See the green box on the right. It is also linked to the following social site https://www.facebook.com/groups/437545196294432/

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Michelango_Portrait_by_Volterra

Portrait of Michelangelo by Daniele da Volterra

Michelangelo was born March 6, 1475 in Caprese near Arezzo, Tuscany. For several generations, Michelangelo’s family were bankers in Florence but, when their bank failed, his father, Lodovico di Leonardo Buonarroti Simoni, took a government post in Caprese, where Michelangelo was born. Several months after Michelangelo’s birth, the family moved back to Florence. After his mother’s death in 1481, when he was just six years old, Michelangelo was sent to live with a stonecutter and his family in the town of Settignano. A few years later Michelangelo went to Florence to study grammar, however, he showed no interest in schooling, preferring to copy paintings and seek the company of painters. His friend, Granacci, encouraged him to take a place as an apprentice with the Ghirlandaio brothers at their workshop in Florence. Here he learned the art of drawing but his desire to be a sculptor became stronger and he was noticed by Lorenzo de Medici, who took him in to live at the palace in Via Larga, where he was treated like a son. The Medici garden became a school for Michelangelo because it was filled with statues that he could use for inspiration.

One of Michelangelo's very early drawings - John the Baptist.

One of Michelangelo’s very early drawings – John the Baptist.

The death of Lorenzo de’ Medici, however, brought a reversal of Michelangelo’s circumstances. Michelangelo left the security of the Medici court and returned to his father’s house. In the following months he carved a polychrome wooden Crucifix (1493), as a gift to the prior at the Florentine church, Santo Spirito, who had permitted him to study the corpses in the church’s hospital. Between 1493 and 1494, Michelangelo carved a larger than life statue of Hercules from a block of marble, which was sent to France. Unfortunately, this piece of art disappeared sometime in the 18th century. In January 1494 after heavy snowfalls, Lorenzo’s heir, Piero de Medici, commissioned a snow statue and Michelangelo again entered the court of the Medici. Later that same year, the Medici were expelled from Florence due to the political rise of Savonarola, so Michelangelo left the city before the upheaval was resolved, moving to Venice, then to Bologna and, later, to Rome.

In November 1497, the French ambassador to the Holy See, Cardinal Jean de Bilhères-Lagraulas, commissioned Michelangelo to carve a Pietà, a sculpture showing the Virgin Mary grieving over the body of Jesus. The contract was agreed upon in August of the following year. Michelangelo was 24 when the statue was completed. The Pietà was soon to be regarded as one of the world’s great masterpieces of sculpture. Contemporary opinion was summarized by Michelangelo’s biographer, Vasari: “It is certainly a miracle that a formless block of stone could ever have been reduced to a perfection that nature is scarcely able to create in the flesh.” The Pietà is now located in St Peter’s Basilica.

Michelangelo's_Pieta

Michelangelo’s Pietà, St Peter’s Basilica

He spent the next four years in Florence developing technical mastery in his art forms. Some of the works produced during this time were the famous, David, in marble, representing the hero in youth; The Virgin and Child (Pille Tondo) (housed at Bargello, Florence), The Bruges Madonna and The Holy Family.

In 1505, Michelangelo was invited back to Rome by the newly elected Pope Julius II. He was commissioned to build the Pope’s tomb over the next five years and carve forty statues for the tomb during that time period. Michelangelo experienced constant interruptions to his work on the tomb in order to complete numerous other tasks for the Pope. Although Michelangelo worked on the tomb for 40 years, it was never finished to his satisfaction. It is located in the Church of S. Pietro in Vincoli, Rome and it is most famous for the central figure of Moses, completed in 1516. Of the other statues intended for the tomb, two known as the Heroic Captive and the Dying Captive, are now in the Louvre.

CAPPELLA_SISTINA_Ceiling

During the same period, Michelangelo painted the ceiling of the Sistine Chapel. This was a massive task that took approximately four years to complete (1508–1512). Working in uncomfortable conditions, cramped and often alone, it caused him to become reclusive. The situation also affected his health, body and mind. He complained about his eyesight and body aches. The work, though, was fantastic and the biblical fresco was filled with originality.

The composition stretches over 5382 square feet (500 square metres) of ceiling and contains over 300 figures. In the center are nine episodes from the Book of Genesis, divided into three groups: God’s Creation of the Earth; God’s Creation of Humans and their fall from God’s grace and, lastly, the state of Humanity as represented by Noah and his family. Among the most famous paintings on the ceiling are The Creation of Adam, Adam and Eve in the Garden of Eden, The Deluge, The Prophet Jeremiah and The Cumaean Sibyl. The Sistine Chapel ceiling was a work of unprecedented grandeur, both for its architectural forms and for the details in the formation of human figures. Vasari wrote: “The work has proved a veritable beacon to our art, of inestimable benefit to all painters, restoring light to a world that for centuries had been plunged into darkness. Indeed, painters no longer need to seek for new inventions, novel attitudes, clothed figures, fresh ways of expression, different arrangements or sublime subjects, for this work contains every perfection possible under those heading.”

Vatican-ChapelleSixtine-Plafond

Michelangelo was considered the greatest living artist in his lifetime and, ever since then, he has been held to be one of the greatest artists of all time. A number of his works in painting, sculpture and architecture rank among the most famous in existence. His output in every field during his long life was prodigious. When the sheer volume of correspondence, sketches and reminiscences that survive are also taken into account, he is the best-documented artist of the 16th century.

Two of his best-known works, the Pietà and the David, were sculpted before he turned thirty. Despite his low opinion of his painting, Michelangelo also created two of the most influential works in fresco in the history of Western art: The Scenes from Genesis on the ceiling and The Last Judgment on the altar wall of the Sistine Chapel. As an architect, Michelangelo pioneered in using architectural forms to emphasize both solid and spatial relationships in art. At the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter’s Basilica, however, Michelangelo died before this work was completed. On December 7, 2007, a red chalk sketch for the dome of St. Peter’s Basilica, possibly the last made by Michelangelo before his death, was discovered in the Vatican archives. It is extremely rare, since he destroyed his designs later in life. The sketch is a partial plan for one of the radial columns of the cupola drum of Saint Peter’s.

The amount of work that he did surpasses many modern artists even in this age of mass production. Starting from initial sketches, moving to oils and then graduating from frescoes to sculptures, even the most prolific artist who came after him, would appear short of this genius. Among all of his artworks, there is none, which can be rated as less than “perfect.”

Caprese

Caprese Michelangelo, Italy

Caprese, Italy is located in the Province of Arezzo in eastern Tuscany, bordered by the Apennines, and encompasses the areas of Casentino, Valdarno, Valtiberina and Val di Chiana. Each of these areas comprise unique landscapes where natural beauty blends harmoniously with its historic heritage and masterpieces of art. Today, Caprese has been renamed, Caprese Michelangelo.

Its cuisine is tied to agriculture and many recipes originated from the religious and convent life. One will find bean soups, meat stews, crostini topped with woodcock and bread made with hare (pan di lepre) as typical foods of the region. Some products are cultivated only in this area and are dedicated to specific recipes. Black cabbage, present in few parts of the world, is an important ingredient in minestra di pane (bread soup). The Chianina breed of cattle, raised according to Protected Geographical Indication (IGP) standards, is the base for historical dishes, like peposo alla fornacina – a slow cooking beef stew, a dish attributed to those workers who produced the terracotta construction materials for Florence’s Brunelleschi Chapel.

The free-range “grey” pig in this area is the source for one of the world’s best prosciutti, Prosciutto del Casentino. Sheep and goat’s milk (pasture-raised, naturally) cheese products, such as, raviggiolo, ricotta and raw-milk pecorino are important locally. The finest dishes center around the highly prized Valtiberina truffle, present year-round (alternating between black and the more costly white). Another product frequently used to make sweets and snacks is the chestnut that is ground into a flour. Not to be left out are classic Tuscan products that complete the table: oil and wine. The region possesess first-class wines according to the best national and international standards, such as Chianti, Cortona and Valdichiana and no meal is finished without Vinsanto.

beef stew

Il Peposo alla Fornicina (Kiln Worker’s Stew)

This slow-cooked stew needs about 3 hours for the flavors to blend. (You may want to find your crock pot for this recipe!) The story goes that in order to get more work done, the employer of the kiln workers had the dish sent up to the workers instead of allowing them to come down for lunch. It wasn’t long before the workers realized that they were losing their lunch break and a chance to meet friends, play cards and relax. The first strike in Florence resulted!

Ingredients

  • 2 pounds beef stew meat
  • 10 garlic cloves, peeled and cut into small pieces
  • 2 onions, chopped fine
  • 3 or 4 cups red wine or tomato sauce
  • Salt
  • 3 tablespoons ground pepper, fresh and coarsely ground
  • 1 sprig of rosemary
  • Country bread

Directions

Cut the stew meat into small pieces. Put the meat in a stew pot that will fit in your oven. Add the garlic, onion, wine, rosemary and pepper. Cover and cook in a moderate oven (350 degrees F.) until the meat falls apart. Stir occasionally.

Serve the stew in deep dishes on slices of toasted country-style bread rubbed with garlic.

For a thicker sauce, substitute tomato sauce for wine.

A great dish to cook ahead and reheat.

onion soup

Onion Soup in the Arezzo Style

8 Servings

Ingredients

  • 6 Yellow onions, sliced
  • 2 oz butter
  • 20 slices Tuscan-style bread
  • 1 quart vegetable broth
  • 8 slices Fontina cheese
  • Salt and pepper
  • Parmigiano, grated to taste
  • Chopped parsley

Directions

Saute the sliced onions in butter until soft in a large soup pot. Add the broth and simmer for about 10 minutes, adding salt and pepper to taste.

Butter 2 loaf pans or a ovenproof casserole dish. Line the bottoms of the pans with bread slices and spoon in a layer of onions and broth. Add 4 Fontina slices to each pan, then another layer of bread and broth. Sprinkle generously with Parmigiano. Bake in the oven for 30 minutes at 350 degrees F. Sprinkle the top with chopped parsley.

Sausage and mushrooms

Homemade Pasta with Sausage and Mushrooms

In the style of Arezzo, with its Etruscan roots, this pasta is thicker than Bolognese fettuccine and is made with fewer eggs.

Makes 4 servings

For the pasta:

  • 1 cup unbleached all-purpose flour
  • 1 1/4 cups semolina, divided
  • 3/4 teaspoon salt
  • 2 eggs
  • 3 tablespoons of water
  • 1 tablespoon olive oil

For the toppings:

  • 12 ounces chicken or pork Italian sausage links
  • 1 pound cremini mushrooms
  • 2 tablespoons olive oil, divided
  • 2 ounces shallots, finely sliced
  • 2 cups hot vegetable or beef broth
  • 4 tablespoons chopped parsley
  • 1 teaspoon crushed red pepper
  • Freshly grated parmesan

To make the pasta dough:

Mix the flour, salt and 1 cup of semolina together in a bowl. Make a well in the center and break in the eggs. Whisk the eggs with a fork, gradually gathering the dry mix into the egg and then, as the mixture thickens, add water and oil. Pull in all the dry mix and knead for a few minutes in the bowl. If absolutely necessary, add 1 teaspoon at a time of extra water to make the dough soft enough to work. Put the dough onto on a counter sprinkled with semolina, cover with the inverted bowl and let rest for 30 minutes. (You can also make the dough in a food processor.)

To roll out and cut the pasta:

Secure the pasta machine to a work surface. Flatten the dough and send it through the rollers on setting ‘1’. Fold in half and send it through again; turn the long edges over toward the middle; send through a third time. Repeat until your pasta is smooth and supple. Cut the pasta into 3 pieces and let them rest on semolina for a few minutes before continuing. Send each piece of dough through the rollers on setting ‘3’. Let rest. Finally, send the pasta through on setting ‘5’. Sprinkle with semolina and let rest for 10 minutes before cutting. Cut each piece of pasta into long strips 3/16” wide using a sharp knife. Place the strips of cut pasta on a wide platter or tray sprinkled with semolina until ready to boil.

Heat the oven to 450 degrees F.

To cook the sausage and mushrooms:

Clean the mushrooms and cut in half. Peel and slice the shallots. Heat a cast iron frying pan in the oven for a few minutes and then add 2 teaspoons of olive oil and the shallot and return the pan to the oven. After 2 or 3 minutes, once the shallots is beginning to brown, add the mushrooms and 1/2 cup of broth to the frying pan. Return to the oven and cook 5 minutes, turning halfway through. Once the mushrooms are lightly cooked, pour them into a serving bowl and pour any broth from the frying pan over them. Set aside and keep warm.

Add 1 tablespoon of olive oil to the frying pan, add the sausages and return the pan to the oven. Turn the sausages after 5 minutes and bake for a further 7 minutes until lightly brown on two sides. Pour in the rest of the broth and add back the mushrooms. Let simmer in the oven while you cook the pasta.

To cook the pasta:

Bring 4 quarts of water to a boil. Add salt and the pasta and, once back at the boil, cook for 3 minutes. Drain the pasta in a colander and drizzle with olive oil.

To assemble the dish:

Distribute the pasta among 4 bowls. Sprinkle on half the parsley and half the red pepper. Spoon the mushrooms and the broth over the noodles. Slice the sausages and add to the pasta. Sprinkle the rest of the parsley and red pepper over the dishes and bring to the table piping hot. It’s traditional to serve this dish with grated parmesan.

vin santo tiramisu

Tiramisu al Vin Santo

Ingredients

  • 1 pound/500 g cantuccini (biscotti) cookies, chopped
  • 1 cup/250 ml Vin Santo
  • 1 pound/500 g mascarpone cheese
  • 3.5 ounces/100 g chopped bittersweet chocolate
  • 2 tablespoons/30 ml sugar

Directions

Place the cookies on the bottom of a cake pan, creating a base for the tiramisu. Drizzle 1/2 cup Vin Santo over the cookies and set aside. The exterior of the cookie should be wet while the interior should remain somewhat dry.

In a bowl, add the mascarpone, chocolate, sugar and remaining 1/2 cup Vin Santo. Whisk the ingredients together until creamy and thoroughly mixed.

Spread the cream mixture evenly over the cookies, making sure all the cookies are completely covered. You may also sprinkle the top of the tiramisu with additional chopped chocolate and cookies. Unlike traditional tiramisu, this version can be served immediately.

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